Premier Guitar just posted my column on simultaneously recording multiple amps to create cool composite tones, both by blending their default sounds in varying way, or using only selected frequency “slices” from each amp and assembling them in layers (hence the amp sandwich metaphor).
According to one PG reader, “It ain’t a sandwich without […]
Premier Guitar just posted my latest Recording Guitarist column. The subject: Capturing the haunting reverbs of Southwestern ruins via impulse-response reverbs.
Many years ago I marveled at the eerie reflections within the stone-walled ball court at Wupatki, an hour north of Flagstaff, Arizona. On this visit, I attempted to clone the tone. I did the same at the […]
Premier Guitar just posted my latest recording column. It focuses on the “Multitrack Masters” recordings and other illicitly leaked audio files that deconstruct classic rock recordings into separate tracks with each instrument isolated.
This essential listening is thought-provoking for many reasons. The two that fascinate me most are a) what secrets these recordings […]
Do compressors confuse you? And who don’t they confuse?
My just-posted Premier Guitar column covers some basics and walks you through a typical guitar compression scenario (with many audio examples).
Using a variation on a technique borrowed from engineer Michael Paul Stavrou’s cool recording technique book, Mixing with Your Mind, I start with extreme […]
Premier Guitar has posted my review of Universal Audio’s Apollo Twin interface. Short version: I love the thing.
A rackmount Apollo interface has been the core of my studio for two years, replacing both a Pro Tools HD rig and a complicated Apogee setup. I adore Apollo’s great-sounding preamps, lucid interface, and innovative […]
I had a lot of fun putting together an article for Premier Guitar on using non-tube distortion. It features a smorgasbord of digital tones guaranteed to horrify tube purists. (It’s certainly horrifying a few commentators on PG‘s Facebook page.)
iZotope’s Trash 2 — like version 1, only trashier!
It was also a chance for […]
This photo was originally a line of 137 amps, but I had to crop it to fit this small space.
Premier Guitar has just posted a new installment in my Recording Guitarist column. The topic: doubling riffs for fatter sounds. Using a single guitar part (and a great drum performance swiped from Dawn Richardson), I […]
May I take this opportunity to pimp my new monthly recording column in Premier Guitar? The first installment covers basic electric guitar miking technique. It’s ground that’s been covered often enough before, though I hope the article’s many audio files (recorded via ReAmp, moving the mic between “takes”) shed some new light on the […]
One of the coolest gizmos from last weeks NAMM show is already in my grubby little hands: It’s the Logidy EPSi, the first customizable convolution reverb pedal. I ordered it the instant I heard about it, and it arrived right before I left for Anaheim.
Convolution (or impulse response) reverbs can mimic acoustic spaces and […]
I just tried an interesting tone comparison, one I’ve never seen attempted. It concerns the search for loud amp sounds at low volumes.
Have any of you ever experimented with speaker attenuators — the passive load boxes that reside between your amp output and speaker input, which let you crank the amp while maintaining […]