Oh I agree, it seems every pickup on the planet has loads of "clarity" and "warmth" with "tone" (combine with descriptive adjective of choice). They also have as much "crunch", "power", and "dynamics" as marketing thinks you might need. Did I mention how "organic" todays pickups are. Of course I need all of these things, which is why I have so many of these things. But why am I never satisfied? When they make a pickup with a full load of talent, I'm buying it. They are never "muddy", or "weak", though might be "punchy", and "fat" with lots of "harmonics". Did I mention they always sound great when the guy that endorses them plays the, except I'm not sure that guy really plays the same pick ups.
But seriously, something that has interested me is the placement of a pick up and the height. The position of the pickup can be effected by the harmonic divisions of the string as it vibrates. Picture the Strat, the neck pick up is placed at almost the exact center of the string. When you hit a string open you're getting the widest possible swing of the string over the neck pickup. Also how close to the tring should a pick up be? Closer is louder, but I here claims of losing sustain to magnetic pull as you get too close. I just find I start hitting the pick up with with my pick.
As far as cheap pick ups are concerned, it seems that it's possible to make a great sounding pick for less. Get the right wire wrapped around a bobbin the right number of times. I'm skeptical of effect of things other than the magnets and coil wire.
Of course then we get the core of the matter, what really sounds good? Maybe '59 PAFs sound good, then again maybe those cheap no name single coils covered in tin foil from that plywood '70s strat knock of sound great. Which of course they do when you write a righteous song with a badass riff RAWK ON!
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