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Author Topic: Pseudo Pyth-tone
smgear

Posts: 170
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Post Pseudo Pyth-tone
on: August 24, 2013, 14:45
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ok, a part 2ish to my post this morning about tuning away from 440. I just spent a couple hours working on some spreadsheets calculating the effects of our equal temperment fretboard against a true pythagorian scale built around 432 hz. What I ended up doing was tuning the strings to a pyth scale:

D A C F Bb E
72 108 128 171 227 324

Obviously, if you then fret normally, you're violating the 'rules' of the system, but there are selected frets that theoretically fall into the realm. Or, you can just do what I'm doing and bastardize it to see if you can do anything cool with it.

The summary is.... it's definitely different... the 'chords' do blend and contrast differently than what we're used to... generating a tuning pattern gave me a headache... and I'm nowhere near depressed enough at the moment to really dig the sound. But it's kinda cool nonetheless. I'll play with it tomorrow. If anyone wants the tuning pattern or the fretboard map of what the new freq's are, then let me know and I'll post them somewhere.

Digital-
Larry

Posts: 192
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Post Re: Pseudo Pyth-tone
on: September 1, 2013, 07:21
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Can't say I've ever done this on purpose to my own instruments, but I have listened to a fair amount of Harry Partch and Wendy Carlos' "Beauty in the Beast" which explore different micro tonalities. A bit like going to a buffet where things look familiar but taste unusual. Not bad, but simply causing previously unexplored neural pathways to get some exercise.

If you've never checked out Harry Partch, start here: https://www.youtube.com/watch?v=G6EGM_sER3k

smgear

Posts: 170
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Post Re: Pseudo Pyth-tone
on: September 3, 2013, 03:12
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yeah, I can handle it in small doses. I quite enjoy some of Neal Haverstick's music, but then maybe that's because he tends to do a lot of pretty straight ahead music, just using microtonal instruments... so I don't know where exactly to classify him. Anyways, it's interesting )

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