It was a perfect weekend here in SF: Unseasonably warm weather. BBQ in the garden. A fun recording session for a new project by Jane Wiedlin and Belinda Carlisle of the Go-Gos. And there was something else. . .
Oh yeah — Jane frickin’ gave me her Fender Hello Kitty Strat! Yes, the very same model played by Jimmy Page, John Lennon, Keith Richards, and Johnny Marr. (At least in my imagination.)
I love you, Jane!
So of course we started talking about how to customize it. Travis Kasperbauer, Jane’s engineer/husband, proposed installing an Seymour Duncan Invader pickup (maybe one of those white-capped Synyster Gates models…)
Jane suggested blinging it out with lots of beads and jewels and other eye-catching decor. And Jane know her eye-catching decor — her place is filled to bursting with mid-20th century kitsch, and her steampunk-themed studio could be the Addams Family basement where Wednesday and Pugsley rehearse with their punk band while Lurch runs Pro Tools. How often do you get to record 12-string overdubs while sitting next to a disembodied brain floating in a tank?
I’m also thinking onboard effects, though I’m torn between just adding a nasty fuzz via a push/pull pot, thus preserving the original one-knob layout, or gouging extra holes and adding a hellacious Ugly Face circuit.
Got any suggestions, gang? I really want to freak out Jane next time she sees the guitar — and I have a hunch she’s not easily freaked. I need your advice, especially since I can no longer consult the disembodied floating brain.
And how does my wonderful new guitar sound and play? Who cares! Better than you might think. The frets are a bit cruel, but the intonation is solid. The sound is surprisingly decent. (Yes, we did use it on a track.) And who knows where it will go with some crafty customization?
And if nothing else, skilled Photoshop professionals can take comfort in the fact that I will no longer be posting quite so many crappy pics featuring the same Hello Kitty image over and over. Now I can take crappy photos from life!
Jane rocks!
Brains!!! Brains!!! Very cool ! Yeah, SD invader and maybe a noose on the Kitty? May get you flack from the animal rights folks…
But I love the kitty! 🙁
Just saw this on the SDUGF, very nice!
That guitar just has a lo-fi look. If it were my guitar, I’d give it that sound too. YMMV.
It’s like you’re reading my mind, man! 🙂
If you install an Invader or similar ridonkulously overwound pickup, it might be a fun chance to mess with the (Lawrence) Wilde Q Filter or similar inductor circuit. One popular implementation makes it basically act like you’re un-overwinding the pickup as you turn the knob. Concentric knobs, one volume, one for thickness, and you could get a lot of sounds out of that kitty without drilling.
Funny you say that — I’ve been wanting to try to create an update of the Systech Harmonic Energizer, a sort of bandpass filter/fuzztone that covers that sort of notched-wah-into-fuzz territory. I don’t know the Q Filter circuit, but I’m going to check it out. Thanks! 🙂
There are definitely circuit ideas with inductors that are about eq and filtering. But I was trying to describe something else. I have a slight awareness of a circuit application that puts an inductor in parallel with the pickup which effectively makes a pickup act more lightly wound. It sounds like turning the knob will act kind of like a variable coil tap. For vintage wound pickups, it’s reportedly a bit too subtle, but for highly overwound pickups, being able to also grab sounds that progress down to something closer to vintage wound, well, that’s interesting flexibility.
Thanks for clarifying! I’ve never even heard of that, but I want to learn more! 🙂
I really dug the one knob “stoopid” fuzz you built a while back. Maybe a tweaked variation on that? Something thinner and clankier, to contrast the massively thick humbucker you’re sure to use. As far as the pickup goes, maybe the 59/Custom hybrid, or the Dimebucker, or even the custom shop Hawkbucker (I’ve always wanted to hear a demo of that). Not trying to disuade you from the Invader, I’m just throwing ideas around. I actually have this particular guitar, and I haven’t decided what to do with it, so I’m interested in what you put together.
Yeah, those are all on my pickup contenders list — though the invader has Sysnyster Gates has little white buttons on it! I was thinking of maybe something based on that “Bazz Fuss” cirrcuit, but maybe with tome torqued-out filter. (See comment to Bear above.)
A purrfect Mental99 guitar. And now that you have a truly classy axe you can stop playing that silly old rusted out french thing (and give it to me).
But seriously I do like the idea of a Metal99 guitar with Sysnyster Gates pickup (white little buttons) and maybe a yellow momentary on/off button on kitty’s nose.
Can you blend the 2 coils like they were 2 pups maybe ? Like the killswitch idea one of those video game button types would be neat. Saw a warmouth strat build with 3 humbuckers and 6 single mini switches think they wired them series/split no clue just looked crazy , extra knobs and switches couldn’t hurt that thing one bit . :stupid:
I’d route it for a Floyd rose (non-recessed)
Dress the frets
Install an overwound humbucker sized P90
install an overdrive circuit and preserve the single control.
Shield the control cavity
hand it back to her with n evil grin and tell her it’s the “hello kitty from hell”
Onboard Theremin? Some proximity sensor gizmo under the Hello Kitty pickguard?
You should go to an arts and crafts store and go wild. They have all sorts of little figures, adornments, doll eyes (my personal fave), rubber stamps, stickers, doll house parts, decals, stencils, paints of all types dried and plastic flowers. You might also want to look for Hello Kitty memorabilia to add to the guitar. Flashing LEDs might also look the part,you can buy LEDs with built in flasher circuits. I think you can leave the electronics as is, how could you improve on Hello Kitty technology?
Oh man, guys — thanks for all the awesome suggestions! A lot of them mirror some of my own thinking — which probably ought to cause us all some sleepless nights. 😉
I think I’m going to start with some of the less cosmetically intrusive approaches, then get more extreme. For the first go-round, I think I’ll preserve the one-knob/one-pickup look, thus reserving the shock and awe until the moment you plug the thing in. 🙂
Jane Weidlin is TOO COOL! I always loved her style of playing.
Anyway – you can keep the single knob look, but get extra control using a concentric pot like the old Danelectros.
I was also thinking that it would be cool to give this pink monster some infinite sustain. I don’t know if it can be done without modifying the look of it though.
Regards!