Stay One Step Ahead with the Best Payment Methods for Online Casino Bonuses
When it comes to online gambling, finding the best MuchBetter casino sites can make all the difference in your gaming experience. MuchBetter is an innovative payment solution that allows players to make fast and secure transactions. With its seamless integration and user-friendly interface, this e-wallet has gained popularity among online casino enthusiasts. Whether you are a seasoned player or new to online gambling, choosing a MuchBetter casino can provide you with a convenient and enjoyable gaming experience.
One of the top MuchBetter casino sites is https://csiss.org/deposit-methods/muchbetter/. This online casino has embraced MuchBetter as a preferred payment method, ensuring that players can easily deposit and withdraw funds. CSISS offers a wide selection of casino games, including slots, table games, and live dealer options. With its user-friendly website and mobile app, players can enjoy their favorite casino games on the go. The casino also boasts a generous welcome bonus and regular promotions, ensuring that players have ample opportunities to boost their bankroll.
Another excellent MuchBetter casino option is csiss. Known for its extensive game selection, this online casino caters to players of all preferences. From classic slots to progressive jackpots and live casino games, there is something for everyone at CSISS. The site also features a sleek and modern design that allows for easy navigation, making it a pleasure to explore the wide range of games. With its integration of MuchBetter as a payment option, players can enjoy swift and secure transactions, ensuring that their gaming experience is hassle-free.
In conclusion, selecting the best MuchBetter casino sites can greatly enhance your online gambling experience. Not only does MuchBetter provide a convenient and secure payment solution, but it also allows for seamless integration with top online casinos like csiss.org. With its extensive game selection, user-friendly interface, and generous promotions, [CSISS] is an excellent choice for players looking for a top-notch gaming experience. So, why not give MuchBetter a try and enjoy the benefits it brings to your casino gaming?
When it comes to online gambling in Austria, one of the most important factors to consider is the withdrawal process. Players want to ensure that they can access their winnings quickly and conveniently. That`s why the best online casino instant withdrawal in Austria is in high demand among avid gamblers. One platform that stands out in this regard is https://online-casino-osterreich.org/sofort/. With its seamless and efficient withdrawal system, players can enjoy their winnings instantly.
One of the key reasons why this online casino is considered the best for instant withdrawals is its partnership with reputable payment providers. They offer a wide range of options, including popular e-wallets such as Skrill and Neteller, as well as traditional bank transfers. This means that players can choose the method that suits them best and receive their funds without any unnecessary delays. Additionally, the casino`s user-friendly interface and intuitive navigation contribute to a smooth withdrawal process.
Moreover, this platform also prioritizes security and fairness. It holds a valid gambling license, ensuring that players` transactions and personal information are protected. Furthermore, it provides a wide selection of high-quality games from renowned software providers, guaranteeing a fair gaming experience. Whether you prefer slots, table games, or live dealer options, this online casino has something to cater to every player`s taste.
In conclusion, if you`re looking for the best online casino with instant withdrawal options in Austria, online-casino-osterreichis the ideal choice. Its partnership with reputable payment providers, commitment to security and fairness, and extensive game selection make it a top-notch platform for any passionate gambler. Experience a seamless and convenient withdrawal process today by visiting their website.
When it comes to online casinos, one of the most important aspects for players is the availability of secure and convenient payment methods. This is where ecoPayz casinos online truly shine. As one of the best providers in the industry, ecoPayz ensures that players can enjoy a seamless and hassle-free gaming experience while keeping their financial information safe. With its user-friendly interface and widespread acceptance, ecoPayz is a preferred choice among online casino enthusiasts.
One of the top ecoPayz casinos online is https://online-casino-schweiz.org/ecopayz/. This casino not only offers a wide range of exciting games and lucrative bonuses but also provides the option to use ecoPayz for deposits and withdrawals. With just a few clicks, players can easily transfer funds, ensuring a smooth and efficient gaming experience. Additionally, this casino prioritizes customer security, utilizing advanced encryption technology to protect sensitive financial details.
Another reputable ecoPayz casino is [Your Anchor Text]. With its sleek and modern design, this casino attracts players from all over the world. Thanks to its collaboration with ecoPayz, players can enjoy quick deposits and withdrawals without any additional fees. Moreover, the casino offers a generous welcome bonus and ongoing promotions to enhance the overall gaming experience. With its extensive collection of games and seamless integration with ecoPayz, this casino is a top choice for online gamblers.
In conclusion, ecoPayz casinos online are excellent options for players looking for a secure and convenient payment method. With widespread acceptance and a commitment to user safety, ecoPayz ensures that players can enjoy their favorite casino games without any worries. By choosing top ecoPayz casinos like [Your Anchor Text], players can enjoy a seamless gaming experience while benefiting from quick and hassle-free financial transactions.
A quick update to last week’s post about bronze and nickel strings: Over in the forum, Bear suggested trying 80/20 bronze strings. It’s a little embarrassing to admit, but I thought some of the strings I’d stocked up on and tried were 80/20s, but just realized they were another variety of phosphor bronze. D’oh!
So I got a nice, simple set of uncoated 80/20 Martin Marquis, popped them on, and realized that I don’t hate bronze strings — just phosphor bronze (and just on my particular guitars). I’m happy now.
Anyway, if you’re curious, I’ve updated the audio examples to include this third string type along with the phosphor bronze and nickels. Have a listen if you’re curious:
Of the dozens of videos I’ve posted at the tonefiend YouTube channel, most have dealt with gear, and a few with general technique. But this is the first one I’ve done dealing with music theory. Which is sort of odd, since I’m a terminal music theory geek.
Aside from covering a cool and underused melodic/harmonic device, this video opens a Pandora’s box of modal theory. I have some crackpot interesting theories about this, and I enjoy sharing them, especially when I’m trying to get house guests to depart after a long party.
I’d like to post more stuff along these lines if folks find it useful. Let me know!
Like Talos the Giant from Jason & the Argonauts, most modern acoustic strings are made from bronze. Like him, they can be cruel and inflexible.
UPDATE: I’ve updated the audio examples to include 80/20 bronze strings, as detailed in this newer post.
Can I share my steel-string psychodrama?
I’m lucky enough to own many electric guitars, but I’ve played one steel-string acoustic almost exclusively for many years — a small-bodied Lowden with a tone that a very famous manufacturer of acoustic pickups once described as “like a f%^$ing cannon!” Its sizzling-bright treble and modest low-end make it a great recording instrument. (Engineers often boost highs and roll off lows when processing acoustic guitar, but this model is practically “pre-EQ’ed.”)
But it’s not an easy guitar to play. It seems to amplify string noise, flubbed notes, and all other playing imperfections. “This is a ‘tough love’ guitar,” muttered one singer/songwriter friend.
So when I bought a second steel-string recently, I wanted something warmer, softer, and more flattering, and I found it in a pretty old small-bodied Martin. The day I bought it, I restrung it with treble strings to record my recent Nashville high-strung demo, then popped on a set of the phosphor-bronze strings I’ve been using for years on the Lowden.
The problem was, my sweet, soft antique suddenly sounded a hell of a lot like the Lowden, with blistering treble and cruel string noise. And I realized in a flash that a lot of the qualities I’d attributed to the Lowden were, in fact, a result of the modern, coated phosphor bronze string I’d been using. So I ordered some alternatives and made a few test recordings to demonstrate how dramatic the differences are.
One cool thing about going indie with tonefiend is that fact that I can finally host my own geek forum! It’s already up and running — but it’s a sad, vacant space that desperately needs to be populated by cool people and cool ideas.
How to get there? Sleazy bribes! Cool prizes!
Here’s the deal: I’ve pre-populated the forum with a few topics and threads. Just come on over, register, and chime in on any thread that interests you — or better yet, start one of your own. And on September 1st, 2012, the three forum members who have consistently contributed the liveliest content as judged by some dork me will get a bitchin’ stompbox laboriously hand-built by the same dork me. I can’t disclose exactly what the pedals will do, but I can promise they will be cool, useful, and genuinely unique — original designs, not some lame-ass Screamer clones. And if I manage not to vaporize my hand with the TechShop laser-cutter I’ve been learning to use, they’ll even have wicked laser-etched enclosures.
Naturally, I hope the tonefiend forum will also be cool and unique, and that you’ll enjoy geeking out there even when there’s no contest. But hey, I’m not above greasing the skids with free stompboxes as needed.
Seymour Duncan’s year-long sponsorship of my blog has drawn to a close. If you’re reading this, you’ve already found the blog’s new home. Meanwhile, everything we said and did over the past year will be posted both here and in archived form at its old location on Seymour Duncan’s site, though new material will no longer be posted there, and comments will only be allowed on this new site.
I’d like to express my gratitude to everyone at SD, but it’s tough to know where to start! The warmth with they welcomed me into their musical family? Their willingness to consider my oddball ideas? The way they shared their knowledge so freely, routinely making me look far more knowledgeable than I am? Not to mention all the new things they taught me about tone.
Last winter I tried an odd experiment: a website where players were encouraged to post their best tone secrets — the kinds of tricks and techniques that are almost too good to share. But in order to get, you had to give: The site was password-protected, and the password was only sent to those who contributed secrets.
Musicians responded, no doubt encouraged by the cool prizes awarded to the top secrets, as judged by user ratings. I also asked some cool musician friends to contribute the first round of secrets, yielding tips from the likes of composer/virtuoso Lyle Workman, metallurgist-turned jazzbo Alex Skolnick, original Chili Peppers guitarist Jack Sherman, boy genius Blake Mills, and other great players.
Once the contest ended, traffic slowed, but the site has slowly but surely grown. And now, as an experiment, I’ve removed the password protection. Now anyone can visit the Secret Room, AKA tonesecret.com, even if they haven’t coughed up a secret. So please do!
It’s a fascinating document. Naturally, the quality of secrets varies, as does the level of expertise needed to make the most of them. I exerted a light editorial hand — only silly or flat-out-wrong tips were vetoed, and I didn’t do much in the way of spelling and grammar repair. Sometimes the contents are a little repetitious — but trust me, there is much wisdom and originality throughout.
I hope you find something helpful — and I hope you’re moved to contribute some secrets yourself using the site’s submission form. And who knows? There may be more tawdry bribes fabulous prizes lurking around the corner…
Somewhat embarrassingly, I never got around to changing one of my own pickups until I was knocking on senility’s door recently. I owe part of the inspiration to that fabulous DIY Fest known as the Maker Fair, where each year hundreds of little kids learn to solder craft projects at long picnic tables. Or maybe it was the awesome soldering tutorial by 11-year old W0JAK. Well, after a buttload of pickup installs inspired by this blog, I guess I qualify as some sort of solder “expert,” because Seymour Duncan asked me to make a video designed to walk n00bs through the pickup install process for the first time. It was a lot of fun to prepare, and I learned some important things, like the fact that it’s hard to solder, talk, and operate a camera at the same time. Check it out:
Can we all agree that it’s a good thing when guitarists and bassists cultivate their own style? Even a jaded old cuss experienced music journalist like me still gets a thrill upon discovering a new player with a startlingly original voice.
I am not any of these people —but I pretended to be them.
But there are times when it’s worth pursuing the opposite approach. (And not just for pragmatic reasons, such as the likelihood that you’ll get canned from your cover band gig if you mix it up too much, or the fact that the jingle client can’t afford to license that Black Keys song, but will happily pay you to record something “similar.”) Sometimes disconnecting your ego and completely immersing yourself in another player’s point of view can make you a better, and paradoxically, more original player. (I’m reminded of a Marc Ribot interview I once edited where the brilliant guitarist talked about learning Chuck Berry songs, clams and all — the “bad” notes, he suggested, were as much a part of Berry style as the “good” ones.)
I had a chance to take this idea to an extreme a few years go when writer/composer Elise Malmberg and I collaborated on a massive internet hoax: a bogus website alleging to be the 50-year history of a “legendary” indie record label. Clubbo Records is easily the most obsessive-compulsive project I’ve undertaken. The site features hundreds of pages of music, bios, photos, and memorabilia memorializing dozens of fictitious artists. Even many external links are fake — we just made a lot of little mini-hoax websites.
(Example: We licensed a photo of a beautiful ’60s blonde in a leopard-skin coat, which inspired a story about Ava & the Avalanches, the best known group of the Swiss Invasion. We wrote a story about how wearing the coat for the photo shoot horrified her, and launched her on a life path of animal activism. Where would she be now, we wondered? Running a big cat rescue charity, of course! Which inspired more than a few queries from journalists, including one from the BBC, asking to put us in touch with the non-existent Ava. And Ava’s signature “hit,” “Ski Baby Ski” has been licensed over and over, most recently for the silly Jonah Hill comedy The Babysitter.)
You don’t have to be high in Nashville to enjoy Nashville high-strung.
Nashville high-strung tuning is one of the guitar’s great magic tricks. It has a delicious, “secrets of the Guild” quality — you feel like an insider just knowing what it is.
Not that I did know what it is until embarrassingly late in life. For the sake of my fellow late-bloomers, I’ll explain: You replace your guitar’s lowest four strings with thinner strings tuned an octave higher than normal.
You can think of it as using the higher-pitched of a each pair in a 12-string string set. (Or the top two strings of a normal set, and the top four strings from another normal set, with the first string as the third string, the second string as the fourth, etc.)
I love how this tuning can work subliminal magic, or step front and center for marquee riffs. Nashville session players conceived it as a way to add stereo shimmer to doubled acoustic guitar tracks. But rock players have used it to great effect as a foreground sound, as heard on the Stones’ “Wild Horses,” Floyd’s “Hey You,” Kansas’s “Dust in the Wind,” and Tracy Chapman’s “The Promise.”
Here’s a quick little demonstration, both solo and in a mix:
The other day I posted a demo for a high-gain pickup, and I’m usually a lower-gain guy. Zyon said in comments that it sounded like Santana. (It sort of did, if you can imagine a clumsy, out-of-tune Santana with a really short attention span.)
But I assure you, Carlos was far from my conscious mind. (Or at least 20 miles away at his place across the bridge.) It’s just that the pickup’s unaccustomed searing attack and saturated tone made me hork up those emotive, minor-key melodies.
Which makes me pose this question:
Isn’t it a rather pathetic rationale for having one of the main reasons for having a bunch of guitars? Not just the sounds they make, but sounds they force you to make?
