Categories
Digital Effects guitar Music

The Live Looping Lesson

This one’s a labor of love: Premier Guitar just published my live looping lesson. Included are most of the hard-won looping techniques I’ve acquired over the last few years. I crashed and burned 100 times onstage so you don’t have to! 😉

The percentage of my life spent looking at this exact view is too depressing to contemplate.
The percentage of my life spent looking at this exact view is too depressing to contemplate.

The 20 audio clips embedded in the article were trickier than usual to prepare. Ordinarily when I record music mag demos, it’s simply a matter of plugging in a guitar, amp, or pedal and noodling around while trying to make it sound good. But here I had to demonstrate techniques that unfold over time, which is harder than it sounds, at least for me. But I’m reasonably satisfied with how they turned out.

My emphasis throughout is going beyond looping cliches and defying listener expectations. That too is difficult — by definition, loops are predictable! But I’ve been racking my brain for years, trying to come up with ways to bust out of the usual patterns. Most of my ideas appear here. Hope you find them useful!

Categories
Digital guitar Technique

Cue the Drummer Jokes!
Playing Drums with MIDI Guitar

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I’m thrilled to bits about a show I’m playing Thursday eve in San Francisco featuring two guitarists of impeccable skill and taste, plus me.

Teja Gerken and I are co-hosting a monthly solo guitar night at El Rio, my groovy neighborhood dive.Our guest is the amazing Eric Skye who, among other things, plays gorgeous solo guitar versions of classic Miles Davis tunes. If you happen to be in cold, cold San Francisco this week, stop by and say hi!

I’ve been doing the digital looping thing with Mental 99 for a few years now, and man, trying to work out solo arrangements with live-looped MIDI drums has been seriously humbling. You know all those jokes we love about how drummers speed up, slow down, drool, and generally disappoint? I can do all those things and everything else a drummer does, except occasionally play a competent groove. Some of the problems have to do with MIDI tracking in general, and some are simply general suckage. Man, it sure makes me appreciate my brilliant musical partner Dawn Richardson, who never speeds up and drools only rarely.

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But those who can’t, teach. So I whipped up a little tutorial on playing drums with MIDI guitar. The first half covers the moves, and the second half features a live improv based on my fave afrobeat pattern. (Tony Allen is my rhythm god.) It also includes some of the hybird synth/guitar sounds I’ve been exploring, like double single-not lines an octave lower, mixing trashy guitar and trashy organ, and of course, space pigeons. (I stole the organ line from my pal Robin Balliger.)

In other news: I’ve been speaking to the ultra-knowledgable Rob Hull from Tube Depot about creating a minimalist DIY amp kit inspired by our conversations here. Lots more details to come. Tube Depot has a track record of making real nice amp kits, and Rob’s documentation/build instruction are the best in the biz. I reviewed their cool tweed Champ clone kit here.

Oh — anyone score any good holiday presents yet?

Categories
Digital Effects guitar Technique

MIDI Guitar Meltdown

Okay, I promise: tonefiend is not going to become an all-digital blog. I’ve got two new DIY analog pedal projects in the pipe, plus a piece on that delightfully retro technology, the book.

But while there’s more to life than MIDI, for the last few months my particular life has been all MIDI, all the time. I worked on the documentation for the Fishman TriplePlay MIDI guitar system, then demoed the product at MacWorld and Musikmesse. And now that the smoke has cleared and I’m off the Fishman clock, I’m still obsessed with the musical possibilities here. In fact, I’m just getting to the fun part: bending the technology to taste and making weird-ass music for weird-ass people compelling new sounds.

I’m posting two new pieces spun off from my Musikmesse demos. Technical and musical comments after the videos.

In my first TriplePlay demo, I used simple, recognizable acoustic instrument samples. For the second one, I focused on aggressive/distorted sounds. But now I’m getting into what really interests me: solo guitar arrangements featuring hybrid colors, deployed so that it’s often difficult to tell the guitar sounds from the synths and samples.

Categories
Digital guitar Music Recording

A Loop-Oriented Laptop Guitar Rig

I haz a band.

My ol’ pals at Guitar Player magazine interviewed me for an instructional article on looping for next month’s issue. It was especially flattering to be invited, because the interviewer was Barry Cleveland, a fine guitarist and a leading figure in the looping community.

I put together this little video to demo the digital rig I use onstage with my duo band, Mental 99, and I’ve cross-posted it here. It covers software, hardware loopers, looping techniques, and the like. Have a listen.