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Tag: SSL-1

  • The Ultimate Mongrel Strat? (with Obsessive/Compulsive Tone Control!)

    The Ultimate Mongrel Strat? (with Obsessive/Compulsive Tone Control!)

    Not for everybody: The sickest mongrel strat yet.

    Okay, I lied.

    In the previous installment of our ongoing mongrel strat series, I experimented with a version of Gibson’s oddball Vari-Tone circuit. I said it was too fussy and complex, and that I wanted to experiment with a simplified version.

    So naturally, I built a “parts” Strat with a Vari-Tone twice as complicated as the original — a configuration I’ve dubbed the “Obsessive/Compulsive Tone Control.” I also deployed some of my favorite quirks and wiring tricks from previous strat experiments, plus a few new hardware discoveries. Result: a weird-ass guitar that only a geek could love a cool, one-of-a-kind instrument.

    Check out the demo. Post-mortem after.
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  • Twang Bangers, Vari-Tones & More Strat Strangeness

    Twang Bangers, Vari-Tones & More Strat Strangeness

    The latest Mongrel Strat (artist's conception).

    Welcome to the second installment in the Mongrel Strat Series!

    If I were a sensible person, I would have split this week’s experiments into several posts. But much like eating pistachios, it’s tough to know when to stop .

    Anyway, this project tackles three topics:

    1. Several readers dug the sound of the Telecaster-inspired Seymour Duncan Twang Banger pickup used in Mongrel #1, where I  paired it with a Duncan Lipstick Tube for Strat neck pickup and a Alnico II Pro middle. But I wanted to hear how the Twang Banger sounded in a more traditional Strat array, so this time I paired it was a couple of vintage-accurate SSL-1s, with a reverse-wound, reverse-polarity model in the middle position.

    2. Over in The Secret Room, a participant brought up the subject of the Vari-Tone control used in the Gibson ES-345. I wanted to learn more about this often misunderstood circuit (well, I never understood it, anway) and explore whether it had relevance for Strats.

    3. In response to another Secret Room topic, I wanted to resolve whether there’s any sonic benefit in bypassing the tone circuit completely.

    And the results? You tell me — here’s the video:

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