Category: Gigs

  • A Tale of Two Pedalboards

    A Tale of Two Pedalboards

    Is it just me, or do many guitarists these days find themselves alternating between separate analog and digital setups?

    I’m posting some pics of my current pedalboards (bearing in mind that, for reasons I’ll get into in a sec, my pedalboards only tend to stay “current” for a few days at a time). Both were assembled using store-bought housings, though I’ll talk a bit about total DIY boards as well.

    First, the mostly analog setup (the exception, of course, is the digital Boomerang III looper).

    Joe Gore’s mostly analog pedalboard.

    The case is a newly purchased SKB Stage Five, a full-featured unit in a relatively rugged molded plastic case. These retail for a whopping $540, but you can find them heavily discounted. (I forget the exact price I paid for mine, but it was under $300.) It’s loaded with cool features, like dual effect loops, a built-in buffered preamp, and support for 9- through 24-volt DC power, plus 9V AC for those digital pedals like Line 6 modelers and many loopers. There are even trim pots on a few power jacks to simulate dying batteries. I’m less impressed by some of the fittings (like the cheapo plastic jacks), though I suppose they keep the weight down. And make no mistake: This thing is heavy!

    Verdict: Too early to tell, since I haven’t subjected it to road abuse, but I trust it enough to at least give it a go. I think I’d be a bit disappointed had I paid full pop, but it strikes me as a fair deal if you can find it at a 40+% discount.  (more…)

  • Contest: Build the Tonefiend Forum!

    Contest: Build the Tonefiend Forum!

    tonefiend forum
    A sad, desolate place — but not for long!

    One cool thing about going indie with tonefiend  is that fact that I can finally host my own geek forum! It’s already up and running — but it’s a sad, vacant space that desperately needs to be populated by cool people and cool ideas.

    How to get there? Sleazy bribes! Cool prizes!

    Here’s the deal: I’ve pre-populated the forum with a few topics and threads. Just come on over, register, and chime in on any thread that interests you — or better yet, start one of your own. And on September 1st, 2012, the three forum members who have consistently contributed the liveliest content as judged by some dork me will get a bitchin’ stompbox laboriously hand-built by the same dork me. I can’t disclose exactly what the pedals will do, but I can promise they will be cool, useful, and genuinely unique — original designs, not some lame-ass Screamer clones. And if I manage not to vaporize my hand with the TechShop laser-cutter I’ve been learning to use, they’ll even have wicked laser-etched enclosures.

    Naturally, I hope the tonefiend forum will also be cool and unique, and that you’ll enjoy geeking out there even when there’s no contest. But hey, I’m not above greasing the skids with free stompboxes as needed.

    Please read the forum rules, though.

    FORUM RULES: Be cool.

  • The Secret Room: Not So Secret Anymore

    The Secret Room: Not So Secret Anymore

    Now with more secrets — and less secrecy.

    Last winter I tried an odd experiment: a website where players were encouraged to post their best tone secrets — the kinds of tricks and techniques that are almost too good to share. But in order to get, you had to give: The site was password-protected, and the password was only sent to those who contributed secrets.

    Musicians responded, no doubt encouraged by the cool prizes awarded to the top secrets, as judged by user ratings. I also asked some cool musician friends to contribute the first round of secrets, yielding tips from the likes of composer/virtuoso Lyle Workman, metallurgist-turned jazzbo Alex Skolnick, original Chili Peppers guitarist Jack Sherman, boy genius Blake Mills, and other great players.

    Once the contest ended, traffic slowed, but the site has slowly but surely grown. And now, as an experiment, I’ve removed the password protection. Now anyone can visit the Secret Room, AKA tonesecret.com, even if they haven’t coughed up a secret. So please do!

    It’s a fascinating document. Naturally, the quality of secrets varies, as does the level of expertise needed to make the most of them. I exerted a light editorial hand — only silly or flat-out-wrong tips were vetoed, and I didn’t do much in the way of spelling and grammar repair. Sometimes the contents are a little repetitious — but trust me, there is much wisdom and originality throughout.

    I hope you find something helpful — and I hope you’re moved to contribute some secrets yourself using the site’s submission form. And who knows? There may be more tawdry bribes fabulous prizes lurking around the corner…

  • Amped-Up Acoustic Guitars

    Amped-Up Acoustic Guitars

    What could possibly go wrong?

    There are two ways to approach amplifying an acoustic guitar: trying to duplicate the natural sound, only louder, and NOT trying to sound naturalistic at all. This post is about the second approach.

    I love playing acoustic through an electric guitar amp (as opposed to a dedicated acoustic amp). True, the tubes and speakers amputate all high frequencies. But if you think of the instrument not as an acoustic guitar, but an idiosyncratic electric variant, it opens up amazing possibilities.

    More often than not, I prefer to play acoustic gigs that way. I did a fun benefit show last year playing rock and R&B covers with a band consisting of Flea, Tracy Chapman, and drummer Dawn Richardson. Tracy had a beautiful, ultra-hi-fi acoustic tone, and the ratty, rumbling sound of my acoustic through a small combo was — well, let’s just say it was a very strong contrast.

    Admittedly, relatively few  players exploit this technique. One notable exception is Daniel Lanois. He’s best known as a producer (U2, Peter Gabriel, Bob Dylan, etc.), but he’s also a phenomenal player who does amazing things with an acoustic guitar, an inexpensive magnetic soundhole mic, and small vintage Fender amps. I’ve watched him play up-close a few times, and he’s incredibly adept at conjuring a variety of tones and controlled feedback from this setup.

    It’s definitely a white-knuckle playing experience. You have to listen carefully and nix unwanted feedback with quick damping technique. But it can be so expressive!

    I’ll talk more about the technique in a bit. But first, check out this short video demo featuring distortion and other stompbox effects, controlled (and not-so-controlled) feedback, and a lot of awkward twisting and turning as I grapple with the tone:  (more…)

  • Mutant Beauty Pageant: The Photo Gallery

    Mutant Beauty Pageant: The Photo Gallery

    Well, um, the entires in our Mutant Beauty Contest are certainly . . . something. Click the MORE button to open the slideshow. New beauties added daily!

    Post your images to comments via a photo-sharing site, or email them to me. I’ll add each new mutant to the slideshow so the entire Internet can laugh at your abysmal taste admire your collecting and building skills.

    You can review the “rules” here. The prize is still TBD, but I guarantee it’ll be every bit as . . . something as the beauties displayed here.

    (more…)

  • Mutant Beauty Pageant: Enter and “Win!”

    Mutant Beauty Pageant: Enter and “Win!”

    It’s time for another contest!

    I hereby announce the first Tonefiend Mutant Beauty Pageant.

    I know many deadbeats with too much time on their hands musicians, and most of them have a thing for weird gear. I’m talking real freak-show stuff, the items that make anyone who walks into your music room shriek, “What the hell is that thing?”

    Here’s the idea: You post your oddities, and the coolest/weirdest item wins. They can be anything music-related: guitars, basses, amps, effects, CDs or vinyl, music industry swag, some crazy DIY project—anything goes! The winner will receive—well, let’s just say something as weird and cool as the stuff being posted. (more…)

  • Let’s Talk Looping!

    Let’s Talk Looping!

    Here’s a little video I made yesterday using the looping setup I’ve been using live.

    Any other looping geeks out there? I didn’t set out to be one—I just wanted to do a duo band with percussionist extraordinaire Dawn Richardson. Looping seemed, well, kind of ten years ago, but I got sucked in, and it turned out to be a cool format for a lot of the sound design I was doing in Apple’s MainStage software. So there.

    As always in looping, it’s easy to build big textures, but difficult to break them down. That’s where I always choke.

    FYI, Dawn and I made an album this way, and are working on a second. More info here.

  • Strap Lock: Free with Beer!

    Strap Lock: Free with Beer!

    Your guitar won't fall down. You might.

    A lot of you know this trick already, but it bears repeating:

    The rubber caps on Grolsch and some other Euro craft beers are the perfect size for strap locks.

    Don’t get me wrong—proper strap locks are great, but the beer-bottle variety are actually quite reliable, and a great choice if a) you have a valuable vintage guitar you don’t want to mess with, b) you’re broke, or c) you just like skunky Dutch beer. (more…)