Tag: adam levy

Categories
Music

Southern California Master Class Featuring Me and Adam Levy

Adam Levy, looking like the 6-stirng zen master that he is.

My friend Adam Levy and I had an incredible time co-leading our first master class/workshop here in San Francisco a couple of weeks ago. Now we’ve just announced another event in Los Angeles for Sunday, August 26th, 2018. Details here. Please join us, SoCal pals!

The students at our San Francisco workshop couldn’t have been cooler. Skill levels varied, but everyone was super enthusiastic and quick to comprehend the topics. Judging by some of their comments, they seem to have dug the experience:

“Wonderful class — so worthwhile. Lots to process and apply!”

“It was so fantastic that I found myself looking at my watch a few times and thinking that it was all going too fast—just like a great jam session! Thank you both a thousand times over for such a lovely and inspiring musical event. I feel like you both gave me inspiration and practice material to last at least the next few years.”

“I had a blast and the workshop totally delivered as promised. Thanks.”

“Really inspiring, and tons to process and work on. Thanks so much, both of you!

“I left feeling really glad that I signed up and got the the opportunity to not only learn from musical guitar legends as yourselves, but also just be able to spend time talking to you and other guitar players. That vibe and energy in itself is really cool. I would definitely sign up for another class like this in the future!”

Plus, I always learn volumes by watching Adam teach. He is so calm and reassuring, with an amazing knack for making difficult goals seem attainable. (Note to self: more laid-back, less “squirrel on meth.”)

This was my first return to face-to-face teaching in many years. I’ve been thinking about it for a long time, and yeah, I was nervous. But it was everything I’d hoped it would be and more.

Hope to see you in August. And oh — there’s a discount for students who sign up by the end of July. 🙂

Categories
Technique

True Guit! A Master Class with Joe Gore & Adam Levy

On Saturday, July 7th, 2018 I will be co-hosting True Guit, a day-long guitar workshop, with my friend Adam Levy at the Blue Bear School of Music in San Francisco.
You can find all the needed details — including cost — at trueguit.com.

I’ve been contemplating such a return to teaching for several years. I taught professionally from ages 13 to 29, but gave it up when I first became a Guitar Player editor. Until I got the editor gig, I’d never filled out a W-2 in my life! (Jim Campilongo, then a fellow San Franciscan, inherited my teaching practice.)

I’ve written many instructional articles in the ensuing years, so I suppose I was a sort of “guitar teacher to the masses.” But I’ve been aching to return to face-to-face contact with students. (It’s in my blood — my parents were both educators.)

Adam Levy: Scholar, gentleman, and world-class guitar educator.

And man, what an honor to collaborate with Adam on True Guit! You may know Adam’s work with Tracy Chapman, Meshell Ndegeocello, and Ani Di Franco, and on his many fine solo albums. Or you might have read the lessons and interviews he’s contributed to all the leading guitar magazines. Not all great players are great teachers, but Adam is brilliant on both fronts. He has profound musical wisdom and a well-honed knack for communicating it clearly. Plus his calm, Zen-like demeanor is a great antidote to my twitchy bursts of neurotic energy.

I had a blast last year conducting master classes for Adam’s students at the Los Angeles College of Music. But this will be the first time we’ve taught side by side, and we plan to make a habit of it.

If you plan to be near San Francisco this summer — or would just like to be — please consider joining us. You’ll be able to hang out in one of the world’s most exciting cities and escape vicious July heat. (Our summers are famously overcast. Sadly, Mark Twain never actually said, “The coldest winter I ever saw was the summer I spent in San Francisco.” But let’s just pretend he did.)

Categories
DIY Effects Gigs guitar Music Pickups

Odds & Ends & Pixies

jazzm (1)

Oh man — the gods have been generous this week.

I just received from Warmoth all the parts for my next DIY guitar. I loved testing eight sets of P-90 pickups for Premier Guitar, but I don’t own any P-90-eqipped guitars.I will soon, though!

This one will be a bit of a platypus — as opposed to, you know, all my other other platypi. (The actual plural of “platypus” is “platypuses,” but “platypi” is more fun to type.) It’s built from Warmoth’s “split Jazzmaster” template, with a korina body, bound neck, Tune-o-matic/stop-tailpiece bridge, and a pair of hum-cancelling Fralin P-92s. Yeah, it’s kind of a stab-in-the-dark experiment, and not a inexpensive one. But hope springs eternal. Prepare to be bored with details!

I’ve also just received an amazing-looking pair of condenser mics from Portland, Oregon’s Ear Trumpet Labs. ETL kingpin Philip Graham’s business card identifies him as “proprietor and bricoleur.” Bricolage, of course, is the ten-dollar word for “making stuff out of junk and other found objects.” Dig the steampunk vibe of that repurposed hardware! I haven’t even plugged these in yet (though the reviews I’ve read have been stellar). I just like staring at them! But I’m going to try them out at my monthly Strung Out! show tonight.

Ear Trumpet Labs' Edwina and Edna models: a higher calling for found objects!
Ear Trumpet Labs’ Edwina and Edna models: a higher calling for found objects!

Which brings me another of this week’s highlights: I got to perform last night with my dear friends Teja Gerken and Adam Levy. Teja is an astonishing acoustic fingerstylist and a fine composer. His vocabulary has hints of Bensusan, Hedges, and classical, but he’s molded those influences into a thoroughly unique sound. And Adam, who I’ve known since my Guitar Player magazine days, is equally renowned for his jazz work and for accompanying such singer/songwriters as Norah Jones and Tracy Chapman. (I get to play some of Adam’s cool parts when I gig with Tracy.) These days Adam’s focusing on songwriting, and he his sings his “smart Americana” songs (my description, not Adam’s) in a sweet, soulful voice. Man, what a treat to hear both of them up close. And tonight, Adam, Shelley Doty, and I perform at my local dive, El Rio. Can life get any better?

Apparently so! Yesterday Premier Guitar posted John Bohlinger’s piece on the Pixies, which includes a pic of Charles “Frank Black/Black Francis” Thompson’s pedalboard, with my grubby, hand-built Duh fuzz pedal front and center. I’d originally made if for Joey Santiago, the other Pixies guitarist, but I guess Charles swiped it. Hey, I’d be honored if either guy spat on the thing! They’ve been heroes since I first heard the band in a small San Francisco club back in ’88. (Everyone went to hear the Sugarcubes, but left talking about that awesome opening act from Boston.)

Lookit! I'm Pixies-approved!
Frank Black’s pedalboard: Lookit! I’m Pixies-approved!

It’s funny, because I really was thinking “Pixies” when I sound-designed the Duh. I was going for “bubblegum metal” — a thick, heavy sound, but not a macho one. The tone is too fizzy and funny for 100% sincere heavy rock, IMHO. It’s more of a “greasy kid stuff” distortion. (Note to readers under 45: That was once the tagline for a “dry look” mens hair product, referring to the outdated coiffures that would return with a vengeance when punk broke a few years later.) It’s a vaguely Muff-like sound, but with less compression, less scoop, and one big, stupid knob. I also like building that circuit into guitars. Like this one:

So it’s been a grand week, but a hectic one. Thanks for reading this far. Next week I promise a proper post, and not another collection of … odds & ends.