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This first installment of my 2013 NAMM report focuses on products for the digital guitarist. In the coming days I’ll be doing posts on analog amps, guitar, stompboxes, and accessories. (But maybe not as quickly as I’d like, because I’ve also got to cover MacWorld in San Francisco this weekend.) This is cross-posted from Create Digital Music, one of the few music sites I visit every frickin’ day.

Source Audio's Hot Hand USB wireless controller. — Source Audio’s Hot Hand USB wireless controller.

We guitarists tend to be a technologically conservative bunch, yet there was no shortage of forward-looking products at NAMM 2013.

Not that everyone was looking in the same direction. Guitar processors are getting smarter, but they’re doing so in different ways. Are we entering an era when every guitar, amp, and pedal in our effect chain will boast powerful processors and a dedicated editing environment? Or will we just simply centralize everything in some future i-device? (I suspect that latter, and tend to think that smart pedals and smart amps represent an evolutionary cul-de-sac. But that cul-de-sac might be a real nice place to hang out for a couple of years.)

Eventide's H9 can play all the sounds from the company's software-intensive stompboxes, and you can edit and control them wirelessly. — Eventide’s H9 can play all the sounds from the company’s software-intensive stompboxes, and you can edit and control them wirelessly.

One release I found particularly telling was Eventide’s H9, the latest addition to the company’s software-intensive stompbox line. The H9 has few new sounds, but can run all the DSP algorithms from Eventide’s other guitar stompboxes. The $499 box will ship late this quarter, preloaded with 9 of Eventide’s 43 current algorithms. Players hungry for more will be able to purchase them а la carte from an online store. (Eventide hasn’t yet finalized the add-on pricing.) The H9 also includes a handsome and full-featured iOS app for editing and managing patches via Bluetooth. There are no current plans to release an editor for OSX or Windows.

atomguitar-640x480 — The Atom guitar body was created on a 3D printer.

During the Maker Faire a few months back, I wrote about the new wave of absurdly inexpensive 3D printers, and fantasized a bit about a not-too-distant time when many of us will be printing our own guitar parts at home.

Create Digital Music — one of the music sites I visit daily — has been all over this topic recently. A few days ago, CDM kingpin Peter Kirn posted this excellent article discussing both the current limitations and eventual promise of this emerging technology. And this week Arvid Jense added this fine post focusing on six digitally printed instrument, including the eye-catching Atom guitar picture here. There are more interesting examples of luthier Olaf Diegel’s work at the Odd Guitars site.

It’s hard to get a take on how good these instruments actually sound. Veteran electric guitar tinkerers know that you can slap strings and a pickup on just about anything, and a good player can make it sound pretty decent, and the plastic compounds used in most current 3D printing aren’t likely to be coveted for their acoustic properties. But it’s hard not to be intrigued by this smooth performance from multi-instrumentalist Dean Marks:

So what would YOU print if you had one of these gizmos?