Howdy, Joe!
I found your blog while searching for a buffer/booster for my guitar, and man! Am I glad I did “land” here. What a cool site you have!
Anyway, it seems I am the first one commenting in the forum for this project specifically, so I’ll cut to the chase.
I am a 50+ y.o. guitar playing enthusiast, by no means a music professional, and clearly an entry-level player. I used to play mostly acoustic guitar back when I was, …hm…well…young, you know, the girls loved it, eventually had to get a serious job, then got married, car payments, mortgages, kids, the whole 9 yds as they say, no time for guitar playing …. Then, almost 30 years into the future, the …”itch” came back. I picked myself a guitar, an electric this time (do not ask me why, I just did it, an amp and starting playing again. Boy, was it tough at first, my fingers had totally forgotten what to do, but I persevered and I fell back in love with the instrument I so foolishly abandoned such a long time ago.
Long story short, I am going through the same learning (and challenging) curve like anyone who’s seriously trying to improve his playing. And of course, all that necessary(?!) paraphernalia i.e. gadgets and tone-quest, etc., became standard part of my everyday vocabulary. That’s why I am here, to seek advice and share my experience while building this promising little device of yours (btw I saw the video and what I heard sold me right on the spot, I said to myself, you gotta build one of these!).
So, I have the following questions:
1. There’s no question that anyone playing using a long cable and many stompboxes needs to buffer the signal. My question is this: So if I put a buffer at the end of my cable coming from my guitar, I still need to use a relatively short cable or -now- it really does not matter how long the guitar cable is? (within reason of course).
2. To me, it makes sense that the buffer should be first in row before the 1st stompbox. Is this (mostly) true?
3. I am playing an Ibanez ASR70 with a 25ft cable into a tuner–>compressor/sustainer–>EQ–>noise reducer/gate, then into a Blackstar HT-5C amp, then I am using the FX loop to add delay–>chorus–>reverb. I do not have a big cab, I am happy with the 12″ speaker this nifty little amp has. Maybe later, I’m ambitious enough to wanna build a 4×12″ cab, will see.
My question is, apart from any (welcome) comments on my rig and fx placement, is it possible that any of the fx boxes I have, already has a buffer in it? What if it does? How many buffers one can have in his signal chain, is two, one too many? At this point I have to admit (confess, rather) that my boxes are on the “economical” side, I use Behringers and Rogues, and to be honest, for now they sound OK to me, with time, as (and if) my ears get better (at my age this is questionable, ha-ha), I could definitely invest to something better.
4. Now, specifically about your project, it consists of a buffer “or/and” a booster. I wrote “or/and” because my understanding is these are two separate circuits that can co-exist if so needed. Well, that’s what (I think) I need: A little stompbox that will act as a buffer ALL THE TIME with a SWITCHABLE booster that will help my solos “stick-out” more. Ideally, this device will be powered with a 9V battery or DC adaptor, have switching 1/4″ jack input (so that battery won’t drain when jack is removed), a red LED showing battery/power status, and a blue LED showing whether the booster is ON/OFF. So (finally), my question is: Does your project fit the bill, can I use your design to adapt to my needs?
5. Finally, a big thank you for the section on finger exercises, I’ll be following all your blog closely but especially this section, I need to improve (a lot) in this area.
Sorry for the long post, my regards to all of you, many thanks to you Joe and hopefully we’ll “talk” again soon!
All the best!
—
Dimi Pana
|