The Fuzz of a Thousand Faces

Lon Chaney was an early Fuzz Face user.

It is a truth universally acknowledged that a guitarist in possession of a single Face Fuzz must be in want of cool Fuzz Face mods. (Sorry, Jane.)

Case in point: The comments section for the new Fuzz Face project.

We’re far from the first to […]

The “Super-Fiend” DIY Fuzz Face!

You can purchase a kit, or source your own parts.

UPDATE [06.16.2013]: Build instructions updated to v02. The Fuzz Face has inspired countless spinoffs since Ivor Arbiter unveiled the device in 1966. Some introduced meaningful improvements. Many didn’t.

The goal of this project, created by my friend Mitchell “Super-Freq” Hudson, is to create […]

Fuzz Face:
The Daiquiri of Distortion Pedals?

Most sentient guitarists love Hendrix, but not everyone is equally fond of his signature distortion pedal.

So what’s your take on the Fuzz Face?

I used to hate them — but only because my sole exposure to them was via the crappy reissues of the ’70s, ’80s, and ’90s. They sounded so brittle and harsh! […]

Ring Modulation: The Effect from HELL!

Only very bad dogs like ring modulation!

No disrespect to Chuck Berry, but I seriously doubt Johnny B. Goode played guitar just like a-ringin’ a bell unless he was using a ring modulator. That’s the only effect that can give you the complex, clangorous harmonics of a bell or a cymbal. Or make […]

New Frontiers in Fuzz:
The Devi Ever Interview

Some boutique stompbox builders pursue endless refinements of classic pedal designs, developing ever-more-suave iterations of the Tube Screamer and Ross Compressor.

And some just want to blow shit up.

Guess which category Portland, Oregon’s Devi Ever falls into? Hint: Her extensive line of guitar and bass pedals includes such anarchy boxes as the Little Shit, […]

Museum of Lost Effects: Klon Centaur

Overdrive from Heaven? Or hype from Hell?

Has any stompbox ever been as steeped in myth and legend as the Klon Centaur? Doubt it. Original Centaurs are extremely collectible, currently fetching around $1,500 on EBay. But for every player who drools over the prospect of obtaining this rare creature, there’s another who’s foaming […]

A Tale of Two Pedalboards

Is it just me, or do many guitarists these days find themselves alternating between separate analog and digital setups?

I’m posting some pics of my current pedalboards (bearing in mind that, for reasons I’ll get into in a sec, my pedalboards only tend to stay “current” for a few days at a time). Both were […]

Museum of Lost Effects:
Morley “Oil Can” Wah

The mighty Morley Rotating Sound Wah

Two indisputable facts about Leslie rotating speaker cabinets: They sound awesome, and they’re approximately the size and weight of Rhode Island. Since the ’60s manufacturers have attempted to mimic the spinning-speaker effect in a more modest package. And one of the best mimics is the second exhibit […]

Museum of Lost Effects:
Maestro Rhythm ’N Sound for Guitar

Well, I’m not sure it’s fair to call it a “museum” when there’s only one exhibit so far. But it’s a really, really good one…

I bought this Maestro Rhythm ’N Sound for Guitar for a pittance back in the ’90s. It’s a primitive multi-effect unit from 1968, with a cool octave-down bass tone, auto-wah, […]

Hello Kitty Strat: Not for Pussies!

Would this be anything less than awesome? I think not.

As I gloated last week, Jane Wiedlin gave me her Hello Kitty Stratocaster — the most bitchin’ $99 guitar ever conceived! I finally had a chance to destroy/customize it yesterday, in what will no doubt be the first of many desecrations/enhancements.

I’d ordered […]