Fishman TriplePlay Demo:
Now with More Nasty!

For the first Fishman TriplePlay demo I posted last month, I featured pretty, naturalistic acoustic sounds. This time around I went for something a little less polite.

I’ve been having a blast — albeit a humbling blast — trying to play real-time drum parts from the guitar. I still suck if it’s much more […]

My Flatwound Addiction

So smooth. So sexy. So frickin’ expensive!

Hi. I’m Joe, and I’m a flatwound addict.

It took me a long time admit it. “What wrong with a little recrational flatwound use?” I used to ask. “I can quit anytime I want.”

Sure, I’d sometimes put flatwound strings on my Guild archtop. And sometimes […]

An Alternate-Tuning Capo

UPDATE, 03.07.13: I should have mentioned a point that several readers noted in comments: The capo only alters the tuning of open strings. Which means that while you can play many harmonies normally available only in dropped tunings, any notes above the capo appear at their usual frets. For example, all barre chords are […]

Demo: Fishman TriplePlay Wireless MIDI Guitar System

I’ve installed TriplePlay on the homemade strat.

For the last few months I’ve been working with Fishman on the documentation for TriplePlay, their long-awaited wireless MIDI guitar system, which will finally ship this quarter. I had a blast demoing TriplePlay at MacWorld a few weeks ago, and I’m looking forward to doing so […]

Meet the REAL Spiders from Mars!
Bartók on Electric Guitar

Bartók: Smarter than math-rock — and way more violent.

My Bowie fandom is second to none. Yet I’ve always felt a vague sense of disappointment that the Spiders from Mars didn’t really sound much like spiders from Mars.

On the other hand, the fourth movement from Béla Bartók‘s Fourth String Quartet really does […]

Museum of Lost Effects:
The Systech Harmonic Energizer

A homely clone cowers in the shadow of a ramshackle original.

Okay, here’s an old weirdo I’ve been meaning to write about for ages. The Systech Harmonic Energizer is an ultra-rare filter/distortion effect from the ’70s that takes the fuzz-wah formula in some interesting directions. Its signature is edgy, ultra-resonant filter sounds. You’re […]

Museum of Lost Effects:
Maestro Rhythm ’N Sound for Guitar

Well, I’m not sure it’s fair to call it a “museum” when there’s only one exhibit so far. But it’s a really, really good one…

I bought this Maestro Rhythm ’N Sound for Guitar for a pittance back in the ’90s. It’s a primitive multi-effect unit from 1968, with a cool octave-down bass tone, auto-wah, […]

A Very Vintage Strat

The ’80s were tough on guitars.

Last weekend I went to a memorial service for a music pal I hadn’t seen since the ’80s. Judging by the pictures I saw and the stories I heard, Brett remained the gentle, generous music lover I’d remembered till he died in his sleep a few weeks […]