Stay One Step Ahead with the Best Payment Methods for Online Casino BonusesWhen it comes to online gambling, finding the best MuchBetter casino sites can make all the difference in your gaming experience. MuchBetter is an innovative payment solution that allows players to make fast and secure transactions. With its seamless integration and user-friendly interface, this e-wallet has gained popularity among online casino enthusiasts. Whether you are a seasoned player or new to online gambling, choosing a MuchBetter casino can provide you with a convenient and enjoyable gaming experience. One of the top MuchBetter casino sites is https://csiss.org/deposit-methods/muchbetter/. This online casino has embraced MuchBetter as a preferred payment method, ensuring that players can easily deposit and withdraw funds. CSISS offers a wide selection of casino games, including slots, table games, and live dealer options. With its user-friendly website and mobile app, players can enjoy their favorite casino games on the go. The casino also boasts a generous welcome bonus and regular promotions, ensuring that players have ample opportunities to boost their bankroll. Another excellent MuchBetter casino option is csiss. Known for its extensive game selection, this online casino caters to players of all preferences. From classic slots to progressive jackpots and live casino games, there is something for everyone at CSISS. The site also features a sleek and modern design that allows for easy navigation, making it a pleasure to explore the wide range of games. With its integration of MuchBetter as a payment option, players can enjoy swift and secure transactions, ensuring that their gaming experience is hassle-free. In conclusion, selecting the best MuchBetter casino sites can greatly enhance your online gambling experience. Not only does MuchBetter provide a convenient and secure payment solution, but it also allows for seamless integration with top online casinos like csiss.org. With its extensive game selection, user-friendly interface, and generous promotions, [CSISS] is an excellent choice for players looking for a top-notch gaming experience. So, why not give MuchBetter a try and enjoy the benefits it brings to your casino gaming? When it comes to online gambling in Austria, one of the most important factors to consider is the withdrawal process. Players want to ensure that they can access their winnings quickly and conveniently. That`s why the best online casino instant withdrawal in Austria is in high demand among avid gamblers. One platform that stands out in this regard is https://online-casino-osterreich.org/sofort/. With its seamless and efficient withdrawal system, players can enjoy their winnings instantly. One of the key reasons why this online casino is considered the best for instant withdrawals is its partnership with reputable payment providers. They offer a wide range of options, including popular e-wallets such as Skrill and Neteller, as well as traditional bank transfers. This means that players can choose the method that suits them best and receive their funds without any unnecessary delays. Additionally, the casino`s user-friendly interface and intuitive navigation contribute to a smooth withdrawal process. Moreover, this platform also prioritizes security and fairness. It holds a valid gambling license, ensuring that players` transactions and personal information are protected. Furthermore, it provides a wide selection of high-quality games from renowned software providers, guaranteeing a fair gaming experience. Whether you prefer slots, table games, or live dealer options, this online casino has something to cater to every player`s taste. In conclusion, if you`re looking for the best online casino with instant withdrawal options in Austria, online-casino-osterreichis the ideal choice. Its partnership with reputable payment providers, commitment to security and fairness, and extensive game selection make it a top-notch platform for any passionate gambler. Experience a seamless and convenient withdrawal process today by visiting their website. When it comes to online casinos, one of the most important aspects for players is the availability of secure and convenient payment methods. This is where ecoPayz casinos online truly shine. As one of the best providers in the industry, ecoPayz ensures that players can enjoy a seamless and hassle-free gaming experience while keeping their financial information safe. With its user-friendly interface and widespread acceptance, ecoPayz is a preferred choice among online casino enthusiasts. One of the top ecoPayz casinos online is https://online-casino-schweiz.org/ecopayz/. This casino not only offers a wide range of exciting games and lucrative bonuses but also provides the option to use ecoPayz for deposits and withdrawals. With just a few clicks, players can easily transfer funds, ensuring a smooth and efficient gaming experience. Additionally, this casino prioritizes customer security, utilizing advanced encryption technology to protect sensitive financial details. Another reputable ecoPayz casino is [Your Anchor Text]. With its sleek and modern design, this casino attracts players from all over the world. Thanks to its collaboration with ecoPayz, players can enjoy quick deposits and withdrawals without any additional fees. Moreover, the casino offers a generous welcome bonus and ongoing promotions to enhance the overall gaming experience. With its extensive collection of games and seamless integration with ecoPayz, this casino is a top choice for online gamblers. In conclusion, ecoPayz casinos online are excellent options for players looking for a secure and convenient payment method. With widespread acceptance and a commitment to user safety, ecoPayz ensures that players can enjoy their favorite casino games without any worries. By choosing top ecoPayz casinos like [Your Anchor Text], players can enjoy a seamless gaming experience while benefiting from quick and hassle-free financial transactions. As if this year wasn’t sucky enough: I tripped on the sidewalk ands fractured my left wrist. I’ll be fine in a few weeks, but I had to put a hold on a couple of projects in progress. But there are a few things you can play when your forearm is in a cast. Dobro, for example. Or EBow. Or both at once. Hi folks! I created this video during my initial COVID quarantine, but I cleverly forgot to post it here at tonefiend.com. When COVID struck, I was in Mexico City, working on a MTV Unplugged special with one of my all-time favorite bands. (I can’t share the details yet.) But the project was postponed when the scope of the disaster became clear, and I rushed home. I quarantined in the studio for two weeks and recorded this.
For decades Claudio Monteverdi has always been one of my three favorite composers, along with Claude Debussy and Duke Ellington. He’s one of the most fascinating figures in music history. It’s an exaggeration to say that he invented opera, but only a slight one. Over the course of his long career, opera transformed from an avant-garde experiment among court intellectuals to a grand popular entertainment. He also composed many books of madrigals and some of the most gorgeous liturgical music ever created. He pushed the period’s musical limits on all fronts: dissonance, drama, instrumentation, structure, and psychological depth. Do yourself a favor and read up on this radical visionary! This piece, Zefiro Torna, was originally a vocal piece, based on a poem celebrating the return of spring. (This video includes a lovely traditional performance, with a scrolling view of the score.) When the piece was published in 1623, there wasn’t much to celebrate. Europe was decimated after the ravages of the insane international power grab known as the 30 Years War. Venice, the composer’s adopted home, had lost a third of its population to the plagues that accompanied the incessant violence. Yet it’s exceedingly upbeat music, celebrating the seasons rebirth — until toward the end, when the mood turns dismal as the poet/narrator mourns that he alone is miserable, tortured by unrequited love. For my video I performed the vocal lines mostly on overdubbed Veillette Gryphon. It’s a small 12-string tuned an a minor 7th above standard. (That is, when I finger the piece in its original key of G, it comes out in F.) Most of the other instruments perform the continuo — that is, the bass line and chords, as indicated in ubiquitous Baroque-era shorthand. As I write now, many months later, COVID rages worse than ever. In the intervening time I’ve returned again and again to medieval, Renaissance, and early Baroque music from times of plague. There’s something soothing about beauty born of cataclysm. It’s a tribute to the better angels of our artist nature at a time when good angels are scarce. P.S.: That postponed Mexican project returned to life last month. It’s a fun story that I’ll share soon.
 This guitar blog has been around since 2011. The site remains active, and I reply to almost all comments. But I’ve posted here less frequently as my focus has shifted from text to video. Please visit my YouTube channel. And if you find anything worth your time, please subscribe. There too I reply to most comments. And you can always contact me via my personal page, joegore.com. Don’t be a stranger — keep in touch! 🙂 About frickin’ time! I announced this new Vibrato pedal at NAMM 2018. Now it’s time for NAMM 2019, and Purr is finally available and in stock at Vintage King. Why so long? As soon as we finalized the prototype and designed the new circuit board, a crucial part suddenly became unavailable. ARGH! It took forever to track down an acceptable substitute. But we finally did, and I’m thrilled with the results. I hope other guitarists dig it too. Hey, if you’re going to NAMM 2019 in Anaheim next week, please stop by and say hi. Especially since since I’ll be sharing a booth with my my friend James Trussart, creator of some of the loveliest guitars ever conceived. We’ll be in Hall D at Booth 3942. It’s too early to say whether guitarist will dig the Purr pedal. But at least someone I know is excited about the new release!  This 65-minute performance features 17 of the songs I’ve been performing live over the last couple of years. In concert, though, I use a single instrument. But here I get to play most of my favorite guitars. I’ve posted each of these songs individually over the last few weeks, but this is the first time I’ve shared them as a single video. Song List Tech Notes For the last day of Loopocalypse, here’s a cover of Spiritualized exquisite “Ladies and Gentlemen We Are Floating in Space.” I often close my show with this tune. Here’s an explanation of my live looping rig. In first heard this song in while asleep on one of those coffin beds on a tour bus. I was listening with headphones, and awoke during the tunes final seconds, with earlier passages still in my head. As it it weren’t already sufficiently dreamlike and spacy. Spiritualized’s original studio masterpiece flirts with the melody of Willie Nelson’s “I Can’t Help Falling in Love With You,” though it never quite crosses the copyright line. In concert, however, the backing choir breaks into the tune near the end, (as heard here at 08:00) and it’s magnificent. What a masterpiece! The guitar is my DIY Kitschcaster, with Warmoth parts, TV Jones Filter’Tron pickups, and some very weird electronics. More details here and here. How my looping rig works: https://bit.ly/2SO5JcU Inspired by the most sublime thing you can drop into a cocktail. Or maybe that and the cocktail. The guitar is a random collection of Fender Strat parts with Duncan lipstick tube pickups. They sound a zillion times better than modern Danelectro pickups. (Plus I boycott Dano on principle because their parent company is a major supporter of homophobic far-right legislation.) Here’s an explanation of my live looping rig. This one is a tribute to Fela Kuti and afrobeat. I’m not trying to play in an authentic Nigerian style, obviously. But I lived for this stuff when I was in my early ’20s. Back then there was a thriving expat African musician community in Oakland, and I was privileged to be mentored by monster players who’d played with the greats, or who were the greats. The first good band I ever played in was with Orlando Julius, a highlife star who’d come to the States with Hugh Masekela. (At the time, he performed under the name O.J. Ekemode, and everyone called him O.J.) At the time, I’d just dropped out of a classical music composition PhD program, where I’d focused exclusively on abstract and complex music that no one liked. It was a revelation not only to play in a great dance band, but to play a single one- or two-bar pattern without (intentional) variation for 30 or 40 minutes at a time. Even though it’s been a long time since I’ve played somewhat authentic African pop, the style influences me every time I pick up the guitar. I’m eternally grateful to have learned from such masters. Ever since that experience, I’ve maintained an exceedingly afrocentric view regarding the history of American popular music. The last time I swapped email with O.J. he was living back in his hometown of Lagos, Nigeria, and doing well. He still performs in African and Europe. The guitar, a loaner from singer Greer Sinclair, is a 21st-century Tele Deluxe reissue, retrofitted with a Bigsby and Lollar Wide Range pickups. More info. This is a companion piece to yesterday’s version of John Barry’s Midnight Cowboy theme. It’s the main title from Jerry Goldsmith’s score for In Like Flint, a kitschy Bond parody that predated Austin Powers by decades. I was too young to see the film as a kid, but a radio ad featuring this theme blew my impressionable mind. I seriously believe the theme’s #4s and b2s triggered my lifelong love of dark chromaticism. I’ve covered this once or twice before, though the sounds are quite different here. The guitar is an unremarkable 1982 Les Paul Custom — the cheapest real Paul I could find when I needed one for an Apple sound design project. It’s even stamped “SECOND” on the back of the headstock. But the only original parts are the neck and body. The pickups are unpotted Duncan Seth Lover PDFs, and the guitar houses the most ridiculously over-the-top wiring scheme I’ve ever attempted. Here’s an explanation of my live looping rig. |
            |