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guitar

Meet the Resistocaster!

Here’s a new guitar I put together using Warmoth parts and Lollar Gold Foil pickups.

Around the time I started assembling the Resistocaster, I reviewed the cool new Supro Westbury — another guitar with gold-foil pickups — for Premier Guitar. It was an interesting juxtaposition, because the Lollar pickups are cloned from the models in vintage Teisco guitars from Japan, while the nouveau Supro pickups are based on the gold foils made in the ’50s and ’60s by Chicago-based Valco and used in several of the brands the company produced.

While the two sets don’t sound identical, they have much in common. Both provide full-frequency tones, with warm, cushy bass and open-sounding highs. Like vintage lipstick tube pickups, they have an attractively “hollow” character that always reminds me of an acoustic guitar. Gold foils are gorgeous for clean sounds, while overdriven tones are big and buttery, albeit it rather loose-sounding. (Though adding a bass-cut circuit to this guitar let me dial in tighter sounds.)

Another odd property: With almost all pickups, pulling back the guitar’s level cleans up tones on overdriven amps and dynamically responsive distortion pedals. (That behavior is pretty much the entire premise of my Cult pedal demo.)

But with gold foils, that just doesn’t work! As you lower the guitar volume when playing through distortion-producing gear, tones don’t clean up — they get a little quieter, then sputter out in the pot’s lower range. This isn’t intrinsically a good or bad thing, but as a player who tries to exploit the tonal shifts produced by varied guitar output, I was startled by this property.

At NAMM, I mentioned this behavior to Ken Calvet of Roadhouse Pickups, who created the Valco-style gold foils for the new Supros. He nodded in acknowledgement, and said it was due to the idiosyncrasies of the rubber magnets used in gold foils. (I probably wouldn’t understand the science even if he’d had time to explain it to me.)

But while it took me a while to get comfortable with the gold foils’ unusual dynamic behavior, I needed zero time to fall in love with their warm, character-rich tones. (This, by the way, is the same set of gold foils I recently demoed in my alternative Strat pickups video.

I love how this guitar turned out, and I expect to use it a lot this year. 🙂