Category: guitar

It Pays to Have Cool Rock Star Friends!

Sadly, it's ony Photoshop. Jane just WISHES she had a Hello Kitty triple-neck!

It was a perfect weekend here in SF: Unseasonably warm weather. BBQ in the garden. A fun recording session for a new project by Jane Wiedlin and Belinda Carlisle of the Go-Gos. And there was something else. . .

Oh yeah — Jane frickin’ gave me her Fender Hello Kitty Strat! Yes, the very same model played by Jimmy Page, John Lennon, Keith Richards, and Johnny Marr. (At least in my imagination.)

I love you, Jane!

So of course we started talking about how to customize it. Travis Kasperbauer, Jane’s engineer/husband, proposed installing an Seymour Duncan Invader pickup (maybe one of those white-capped Synyster Gates models…)

Jane suggested blinging it out with lots of beads and jewels and other eye-catching decor. And Jane know her eye-catching decor — her place is filled to bursting with mid-20th century kitsch, and her steampunk-themed studio could be the Addams Family basement where Wednesday and Pugsley rehearse with their punk band while Lurch runs Pro Tools. How often do you get to record 12-string overdubs while sitting next to a disembodied brain floating in a tank?

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June 11, 2012
Adventures in Direct Recording

Hey man — what happened to your amps?

No question about it: Amps are awesome, and guitarists will be plugging into them for a long time to come. But as threatened in this post from last week, I’ve been experimenting with direct- recorded guitar sounds. I’m not talking amp simulators, but the sound of electric guitar recorded straight into a mixing board with no attempt to replicate the tone of an amp. After all, some of the most iconic guitar riffs of all time — including Zep’s “Black Dog,” the Byrds “Mister Tambourine Man,” Chic’s “Le Freak,” and most ’60s Motown hits — were tracked not through amps, but through great old analog preamps, compressors, and mixing boards.

Not that I own any great old ’60s and ’70s analog recording gear. But I wanted to see how close I could get using modern preamps and compressors, plus plug-ins that simulate vintage gear.

And how close did I get? Um…kinda close, and I could have gotten closer if I had ~~an attention span longer than five minutes~~ dedicated sufficient time to the pursuit.

Wanna hear what I came up with?

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June 6, 2012
“Nashville” Tele Wiring . . . in a Strat?!

What do you get when you cross . . .

I’ve been coveting one of those “Nashville-Style” Telecasters — you know, the hot-rodded, three-pickup versions popularized by Nashville session superhero Brent Mason, and now a regular Fender production model.

Then it dawned on me: Since some of Mongrel Strats I’ve been playing with have strong Tele tendencies, why not flip the equation? Instead of a Tele that acts like a Strat, why not a Strat that thinks it’s a Tele?

The Fender version replaces the usual Tele 3-way switch with a 5-way, as shown in this wiring diagram, though many players prefer to keep the 3-way switch and add the middle pickup via a blend knob, as in this other wiring diagram.

I took the latter approach, and I am flipping out over all the new tones it unlocks. Check out this little video demo:

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June 4, 2012
No Stinkin’ Amps (or Amp Simulators)

An advanced technical diagram.

No videos or audio examples today — I’m in the midst of “reconfiguring” my studio. (That’s the technical term for pulling stuff out of racks, tangling all your cables, making an ungodly mess, and dissolving into a puddle of bitter, frustrated tears.)

But the good news is, I got some cool new stuff. I’m switching over a pair of large Pro Tools and Apogee systems to a minimalist Universal Audio Apollo setup, an audio interface that doubles as a plug-in host. UA makes killer plug-ins, but I’ve never owned any, since they’ve always run off of proprietary PCI cards, and the card slots in my computers have always been filled to capacity. Now that I have the UA stuff in my grubby mitts, I’m obsessing on the idea of exploring non-amped guitar tones, especially distorted ones. And I’m not talking amp simulators, but the distortion you get from overdriving a recording console’s preamps. (more…)

May 31, 2012
PRINT Your Own Guitar Parts?!

Yes, it's bad Photoshop. You can't REALLY print a guitar at home . . . not quite yet, anyway.

UPDATE: Check out the comments, where reader J links to videos of a 3D-printed guitar and violin.It’s cool and INTENSE.

Last weekend I got to enjoy one of my favorite things in the universe: the Maker Faire, held each year in San Mateo, California, outside San Francisco.

The event, which draws 100,000 people each year (not counting the thousands who attend satellite fairs in NYC, Detroit, and other cities), was launched by Make magazine, the closest thing to a house publication for the international DIY movement. Adherents of maker culture — or just plain “makers” — are a loose aggregation of artists, geeks, hackers, Steampunks, subversive ETSY craftspeople, and others who embrace various facets of DIY culture. “If you can’t open it, you don’t own it” is one of many unofficial mottos. Another is “Void your warranty, violate a user agreement, fry a circuit, blow a fuse, poke an eye out…”

And who isn’t in favor of poking out a few eyes? 😉

The Faire, now in its eighth year, is a joyous affair, assuming you derive joy from things like flashing Van der Graaf generators, 50-foot-tall kinetic sculptures that spew fire, the Faire’s iconic cupcake cars, and the sight of hundreds of cute kids learning to solder DIY projects at rows of workstations.

Each year there’s more new stuff than you can possibly consume, but even even amidst the ear-pounding experimental music and eye-pounding LED art, one development seemed to dominate: 3D printers are getting faster, smarter, and cheaper (as in, several DIY kits sell for less than $500). And it’s difficult to imagine them not changing how we will create and mod our musical instruments in the very near future.

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May 24, 2012
Two-Band “PTB” Tone Control:
Useful, Easy, Cheap & AWESOME!

The PTB Circuit was one of many G&L innovations.

After the frantic soldering fest that was The Pagey Project, I figured it might be time for a nice, simple DIY wiring project. At the suggestion of tonefiend reader JH, I played with variations on the 2-band tone control that appeared in some G&L guitars. And I am over the moon with the results!

This circuit, sometimes called “PTB” (for “passive treble and bass”) combines a standard treble-bleed tone knob with a bass-cut control. The latter has a huge effect on the way distortion pedals and amps respond to the pickups, especially with humbuckers. Cutting some bass makes the pickups sound cleaner, airier, and more dynamic (i.e., less compressed). To my ear, the bass pot is not so much a tone control as a clarity knob.

Check out this brief demo video:

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May 22, 2012
The Ugly Guitar Design Contest:
Every Entry Was a “Winner!”

Simply beautiful! (Luthier: A. Meyer)

Oh, man — this is the most fun I’ve ever had on this blog (provided you define “fun” as “laughing hard enough to snort coffee through your nose”).

It sucked trying to pick a contest winner! I received over 150 guitar images, and I loved every single one of them (provided you define “love” as “the way you feel about pictures that make coffee come out of your nose”).

I made a little movie featuring several dozen of my favorites. If you’re drinking coffee, cover your nose.

It’s about four minutes long. You can fast-forward to 3:30 if you only want to see my top three picks. I think you’ll agree with me that they are remarkable in their ability to inspire strong emotional reaction, even after viewing so many truly memorable guitar designs. But frankly, I don’t recommend skipping ahead.

I pity the fool who misses out on any of the treasures herein.

Apologies to all whose guitars weren’t included. They were all amazing! And thanks to everyone who made this such a memorable event! Let’s do it again soon.

May 21, 2012
Ugly Guitar Building Contest Update!

Songs in the Key of Ug.

I had no frickin’ idea that the Bad Body Building Contest would strike such a chord with readers. Granted, it’s not the prettiest of chords. I think it might be the one shown here.

Seriously — in 24 hours, I received well over 100 creations. I am humbled. I am moved. I am nauseous.

I’m posting a few “favorites” as a slideshow. This is only the tip of the iceberg. (“Iceberg” may not be the best metaphor, though. Perhaps if you envision a huge floating mass made of bacon grease, My Little Pony figurines, and moldy iceberg lettuce….) There are many, many amazing ones posted here.

Pause Play Play Prev|Next

Luthier: AiXeLysD13

Luthier: Andrew Lund

Luthier: Gavin

Luthier: Brian Sullivan

Luthier: Christopher Buyak

Luthier: Steve

Luthier: Karen Campbell

Luthier: wariomt

Luthier: Matt Fleming

Luthier: Micah Houchin

Luthier: Thee Mighty Mighty

Luthier: Litos

It’s not too late to ~~waste otherwise productive time making ugly pictures~~ join the fun! Here’s a list of online guitar visualization tools:

USA Custom Guitars
Fender Guitar Builder
Bailey Guitars
Frank Montag
Warmoth Body Builder

The contest runs till Sunday at midnight, Pacific Coast Time (GMT-8). Winners get announced on Monday. Post your creations to comments.

May 17, 2012
Mini-Contest:
Misadventures in Body Building

Hey, has anyone checked out the super-cool “Body Builder” section over at Warmoth Custom Guitar Parts? It’s an incredibly fun interface that lets you select a guitar body and add all the appointments. Your dreams become reality before you very eyes.

Which is all well and good — unless you have really bad dreams!

How come nobody makes ’em like THIS?

Which brings us to the latest Tonefiend contest. Mind you, it’s not much of a contest, but that’s cool — it’s not not much of a prize either.

The “rules”:

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May 15, 2012
New Audio Player: Loud & Cloud!

Hi folks — I’m experimenting with a switch to the SoundCloud audio player. I’ve been eyeing it for a long time, but until now it’s been entirely Flash-based, which meant you couldn’t access SoundCloud clips from mobile devices. But they’ve just introduced HTML5 support, so I’m ready to make the plunge.

The clip is an accompaniment to the post below about using unspotted Seth Lover pickups with the expanded Phase 2 version of the Jimmy Page wiring scheme.

One of the coolest things about SoundCloud (beside the nifty waveform view) is the fact that it supports notes. Just click on the little icons beneath the waveform to read a description of which pickup settings are being heard at a particular point. Sweet.

Work for you? Computer? Phone? Tablet? Any comments or questions? (Thanks in advance for for your unpaid beta testing!)

May 12, 2012