Tag: zappa

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Music

Were the Shaggs Medieval?

Were the Shaggs born in the wrong century?
Were the Shaggs born in the wrong century?
Were the Shaggs born 600 years too late?

Here’s reader Freddie Lenzel, writing in response to my post on the bizarre late-medieval composition Fumee fume par fumee:

To me, it sort of sounds like The Shaggs from the Dark Ages. But seriously, it’s really interesting. Greetings from Spain, love your blog.

And I love your comment, Freddie! It really strikes a chord (pun intended), because the Shaggs have always sounded medieval to me. And I think I can explain why.

(But first: If you don’t know the Shaggs, stop reading this second and make your acquaintance with the group and their 1969 magnum opus, Philosophy of the World. Kurt Cobain cited it as one of the five-best albums of all time, and Frank Zappa insisted that the Shaggs were “better than the Beatles,” words that inspired this indie-trash tribute album. Meanwhile, NRBQ’s Terry Adams, who launched the Shaggs revival by getting Philosphy re-released in 1980, rightfully compared their homespun sound to Ornette Coleman’s free jazz.)

The Shaggs weren’t the only band to make an album before they knew how to play or write music, but they were one of the best. Many musicians, when first exposed to the Shaggs’ idiot-savant sound, compare it to what might result if you explained music to an alien species unfamiliar with the concept, and then sent them into the studio before letting them hear any actual music. Shaggs songs have no underlying chord structures, no consistent meter, no conventional phrasing, and little harmonization. It’s just odd, meandering “melodies” that stumble along until singer/guitarist Dot Wiggin happens to require a breath. Why, it’s practically…medieval!

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Categories
Effects guitar

Museum of Lost Effects:
The Systech Harmonic Energizer

IMG_5847
A homely clone cowers in the shadow of a ramshackle original.

Okay, here’s an old weirdo I’ve been meaning to write about for ages. The Systech Harmonic Energizer is an ultra-rare filter/distortion effect from the ’70s that takes the fuzz-wah formula in some interesting directions. Its signature is edgy, ultra-resonant filter sounds. You’re most likely to have heard it generating Frank Zappa’s nasal midrange squawk, but it does lots of other abrasive tricks too. I used this one on Tom Waits’s “All Stripped Down,” and on “Jets” by Action Plus.

The S.H.E. doesn’t do pretty. Most of its sounds are so strongly flavored, they’re hard to use as a primary tones. But it’s great for things like clanky percussive accents, or walloping low-frequency assaults.

But let’s talk later. First the video:

Continue reading “Museum of Lost Effects:
The Systech Harmonic Energizer”