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As if I weren’t already blowing enough money on arcane strings, I’ve got a new obsession: Thomastik-Infeld Plectrum series acoustic strings (which sell for $24 in the U.S.). If you hang out here much, you’ve heard me bitch incessantly about acoustic strings. I hate the way most modern strings are all hyped treble […] I recently reviewed the gorgeous little Veillette Avante Gryphon for Premier Guitar and liked it so much that I bought one. This was my first opportunity to record it in my studio. The Avante Gryphon is a relatively low-cost version of Woodstock luthier Joe Veillette’s Gryphon, an 18.5″-scale 12-string designed to be tuned a minor […] 
I was kind of stoked about my latest wiring experiment: a “double Varitone” scheme I installed in my DIY “Kitschcaster.” I’ve written about these multi-capacitor tone switches a lot on this site, but this is the first time I’ve tried using a similar scheme to cut bass frequencies. The result is a lot like the […] Do compressors confuse you? And who don’t they confuse? My just-posted Premier Guitar column covers some basics and walks you through a typical guitar compression scenario (with many audio examples). Using a variation on a technique borrowed from engineer Michael Paul Stavrou’s cool recording technique book, Mixing with Your Mind, I start with extreme […] I just completed my third DIY guitar experiment using Warmoth parts. This one is a wacky Fender/Gretsch hybrid with a semi-acoustic Fender Starcaster body, a reverse, angled Strat neck, and various Gretsch-like elements, including TV Jones Filter’Tron pickups, a Bigsby/Vibramate vibrato, and a vulgar silver-sparkle finish — a tribute to the Gretsch Silver Jet, […] I just recorded a solo version of one of my fave film themes: Jerry Goldsmith’s main title to the 1967 spy spoof In Like Flint. I’ve adored the melody since childhood, and I blame it for instilling the love of chromaticism that made possible my extraordinarily uncommercial career. I’d previously posted another version […] No longer ridiculously expensive. Now they’re just very expensive. I spent last week covering the Musikmesse musical instrument trade show in Frankfurt, Germany, for Premier Guitar. I had a blast, and Chris Kies and I posted details and pics of more than 70 new products. (Here’s the short list of our personal faves.) […] One of the coolest gizmos from last weeks NAMM show is already in my grubby little hands: It’s the Logidy EPSi, the first customizable convolution reverb pedal. I ordered it the instant I heard about it, and it arrived right before I left for Anaheim. Convolution (or impulse response) reverbs can mimic acoustic spaces and […] As promised: an overview of Apple’s new Logic X Pro, with an emphasis on what’s new and cool for guitarists and bassists. Lots of movies and audio! It’s here. This is an exciting post for me, and not just because I get a desperately needed break from Klons and Screamers. I’m thrilled to bits about […] 
For the first Fishman TriplePlay demo I posted last month, I featured pretty, naturalistic acoustic sounds. This time around I went for something a little less polite. I’ve been having a blast — albeit a humbling blast — trying to play real-time drum parts from the guitar. I still suck if it’s much more […] |
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