Categories
Recording

New Guitar Recording Column!

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May I take this opportunity to pimp my new monthly recording column in Premier Guitar? The first installment covers basic electric guitar miking technique. It’s ground that’s been covered often enough before, though I hope the article’s many audio files (recorded via ReAmp, moving the mic between “takes”) shed some new light on the topic.

Meanwhile, I’m breathlessly stoked about my new “Partsmaster.” It’s a Korina “Split Jazzmaster” body from Warmoth with Fralin P-92s and some new tricks I’ve been wanting to try with wiring and onboard overdrive, plus several other ill-considered, stab-in-the-dark adventurous experiments. It’s like some wacky Firebird/Jazzmaster hybrid (“Birdmaster?”) I hope to post some video later this week, but right now, the guitar is awaiting the plek treatment at Gary Brawer’s shop. Gary is also prettying up some of my clever but sloppy wiring, and remedying the fact that, when I brought the beast in, the strings were about a half-inch from the fretboard.

Can’t wait — this is an interesting one! 🙂

Categories
Music Technique

Does a Guitar Ever Play You?

The other day I posted a demo for a high-gain pickup, and I’m usually a lower-gain guy. Zyon said in comments that it sounded like Santana. (It sort of did, if you can imagine a clumsy, out-of-tune Santana with a really short attention span.)

But I assure you, Carlos was far from my conscious mind. (Or at least 20 miles away at his place across the bridge.) It’s just that the pickup’s unaccustomed searing attack and saturated tone made me hork up those emotive, minor-key melodies.

Which makes me pose this question:

Isn’t it a rather pathetic rationale for having one of the main reasons for having a bunch of guitars? Not just the sounds they make, but sounds they force you to make?

It’s not just me, is it?

Categories
Bass guitar Technique

Are Your Sinister — or Dextrous?

“Why is everything upside-down?”

You know the origin of the word “sinister,” don’t you? It’s the Latin word for “left,” which, according to etymologists, became associated with evil, thanks to the medieval belief that left-handed people were deceitful and probably possessed. Meanwhile, “dexterous,” which means adept with your hands or brain, is from the Latin “dexter,” meaning “right.”

What are the odds that a right-handed person came up with those ideas? 😉

Lefty guitarists have it tough. They have fewer instruments to choose from, and they usually can’t just pick up any old guitar and start jamming. When I wrote for Guitar Player, we tried hard not to be “side-ist,” and would always refer to the “picking hand” and “fretting hand” rather than the left and right when discussing technique. But still.

I have left-handedness on the brain because I upgraded a left-handed guitar for a friend. I threw caution to the wind and recorded a demo video upside-down, without restringing. It ain’t pretty — but it sure is interesting! I’ve never undergone any sort of neurological testing, even though I look like the sort of person who should have electrodes permanently attached to his skull. But after playing upside down for a few minutes, I could practically feel parts of my brain pulsating with unaccustomed energy. I held a wine glass in my right hand, and it felt wrong. Then in my left, and it still felt wrong. And man, was it tough typing! It was a weird, disorienting mental high. 

Categories
Digital guitar Music Recording

A Loop-Oriented Laptop Guitar Rig

I haz a band.

My ol’ pals at Guitar Player magazine interviewed me for an instructional article on looping for next month’s issue. It was especially flattering to be invited, because the interviewer was Barry Cleveland, a fine guitarist and a leading figure in the looping community.

I put together this little video to demo the digital rig I use onstage with my duo band, Mental 99, and I’ve cross-posted it here. It covers software, hardware loopers, looping techniques, and the like. Have a listen.