Hi folks — I’m experimenting with a switch to the SoundCloud audio player. I’ve been eyeing it for a long time, but until now it’s been entirely Flash-based, which meant you couldn’t access SoundCloud clips from mobile devices. But they’ve just introduced HTML5 support, so I’m ready to make the plunge.
The clip is an accompaniment to the post below about using unspotted Seth Lover pickups with the expanded Phase 2 version of the Jimmy Page wiring scheme.
One of the coolest things about SoundCloud (beside the nifty waveform view) is the fact that it supports notes. Just click on the little icons beneath the waveform to read a description of which pickup settings are being heard at a particular point. Sweet.
Work for you? Computer? Phone? Tablet? Any comments or questions? (Thanks in advance for for your unpaid beta testing!)
Once I’d finished the project, I had to decide whether to keep the guitar heavily modded, or revert to something simpler. It probably won’t surprise you to hear I decided to keep the extreme Phase 2 wiring, with its added germanium overdrive.
But as cool as the Duncan ’59 model pickups sounded, I wanted to revisit the Duncan Seth Lover pickups I’d previously had in the guitar. They’re bright — twangy, even — compared to the ’59s, and I like the midrange honk they add by virtue of being unpotted. (I’ve written about the pros and cons of potting here.)
I’ve recorded an example of how the guitar sounds with the Seth Lovers. (You can’t make exact comparisons with the previous Pagey videos, since I used an amp for those, while the new examples were recorded through an amp simulator, though the “Seth” character still shines through.) I’ve included the clip in the post after/above this one, because it’s my first audio example using SoundCloud, and I wanted to say a few words about that.
"There's GOLD in that thar pickup!"
And call me shallow, but…I really dig the way my guitar looks with the Seth Lovers installed. Between the teensy switches on the mounting rings and the push/pull pots, you really have to look hard to tell the guitar is not merely non-stock — it’s a morbidly overdeveloped tweak machine.
Funny — I’ve always found gold hardware a little bit tacky. But now I’m so enthusiastic about the look of gold that I feel like this guy at the right.
Just how many colors can you coax from one guitar?
Just how many colors can you coax from one guitar?
This post is about a guitar wiring scheme that only geeks and tweakers could love.
I think you’ll dig it.
In Phase 1 of this project, I recreated the original Page wiring scheme using an ’82 Paul, a pair of Duncan ’59 model pickups, and four push-pull pots. The result was a great-sounding, almost absurdly versatile guitar, though the sheer number of options was downright bewildering.
So naturally, the only way forward was to make the instrument even more bewildering by adding additional sonic options. This version offers all the sound of the Phase 1 model, and a buttload more. Several buttloads, actually — and I’m not talking about those skimpy metric buttloads!
I gutted all the Phase 1 electronics. (Man, that hurt!) Next, using the same pickups, I added a pair of Duncan Triple Shot Mounting Rings. These provide four settings per pickup: humbucker, inner coil split, outer coil split, and both coils in parallel. (The Phase 1 plan offers only one split-coil setting per pickups. While you can configure the two pickups in parallel, you can’t do so with the individual coils in each pickup like you can here in Phase 2.) Here’s the wiring diagram I worked from, which for some reason is no longer posted on the Duncan site.
Since the Triple Shots add four new switches, the Phase 2 wiring requires only two push/pull pots. I wan’t about to let that real estate go unused! I installed a homemade germanium overdrive circuit (similar to the one we made in DIY Club) inside the guitar. My third push/pull pot activates it, and the fourth selects between two input caps, so I get a choice between a fat, Sabbath-style drive and a brighter, thinner Bluesbreakers-type tone.
C'mon kids — you're never too young to mod your guitars!
Hey kids! You’re never too young to mod your guitars! Now get off my lawn.
As promised, here are a demo video and tech notes for the first phase of the Pagey Project, which recreates Jimmy Page’s original Les Paul wiring scheme. (The upcoming Phase Two will expand on the idea with even more crazy options.)
All I can say is, sheesh! Why did it take me decades to try out this awesome Les Paul mod?
I think it’s because I had a nasty dual-humbucker guitar many years ago with series and coil-split switches. Even though I knew the pickups were crap, it still prejudiced me against alternate humbucker wirings. “Just pick up a Fender!” I’d think.
Another factor: I lacked the sophistication to know that, while many of the tones unlocked by the Pagey wiring sound thin and/or weird on their own, they can be quite useful in context.
And make no mistake — except for the series switch, all the alternate Page sounds are smaller than stock Les Paul sounds. And that’s a good thing! They’re great for crystalline clean tones, ratty faux-P-90 distortion, and simply making the regular Les Paul sounds seem gigantic by contrast.
Have a listen. There video starts with a 90-second overview, then works through the system in detail:
You too can double the sounds available from your axe!
Double the sounds available from your axe!
Man, preparing the Pagey project has been a real eye-opener! Expect some surprising results! (Hint: There’s much of interest, even for players who have zero desire to sound like Page.)
I’ll be posting the first video and tech walk-through after the weekend, but in the meantime, I wanted to update you on the game plan, which, frankly, only became clear once I started soldering.
If you haven’t downloaded the relevant schematics, you can snag them here. (Reader Jeff pointed out pointed out a difference between the two versions of the four-push/pull wiring. I have no idea which version page used, but I went with the version from Scott Miller’s Guitar Player magazine article because it offers a bit more control — and this project is all about control!)
We’re going to tackle the project in two phases. First, we’ll look at the original Pagey wiring, using four push-pull pots and period-accurate pickups (I went with Duncan ’59s with four-connector cable). I’ve wired up my ’82 Les Paul in exactly this fashion, and it’s pretty dang cool. Yes, it’s a complicated job, but not as tough as anticipated. Amazingly (for me) it turned out great on the first attempt.
Hi folks — I’m experimenting with a switch to the SoundCloud audio player. I’ve been eyeing it for a long time, but until now it’s been entirely Flash-based, which meant you couldn’t access SoundCloud clips from mobile devices. But they’ve just introduced HTML5 support, so I’m ready to make the plunge.
