Man, I’ve been wanting to do this experiment for ages — and largely because it’s been a black hole off ignorance for me. As mentioned in the video, I used to think they were the same pickup. But as you can hear, they’re quite distinct, and the differences are far from subtle.
Until now I’ve never owned a guitar with either pickup type. My chief experience with mini-humbuckers was when I demoed a set in this sane Strat for my Strat replacement pickups comparison. I liked them there as well, though I was using a set of Seymour Duncans, while these are Lollars. (I’d be cautious about making tone comparisons, since the two videos were recorded using very different tone chains.)
I once played Polly Harvey’s original reverse Firebird on a gig, and I wasn’t that blown away at the time. (Though there were many other variables at play.) But I adored the way the Firebird pickups in Annie Clark’s Musicman St. Vincent model sounded, and I gave the instrument a rave review for Premier Guitar. I was struck then, as now, by their extraordinary dynamic response. Small variations in touch yield big tonal contrasts. My hope was that they’d sound like Fender pickups on steroids in a Strat, and to my ear, they do. (By “steroids,” I don’t mean high output — I generally recoil from extra-hot Strat pickups. Tones are simply fatter without neutering the high end as super-hot single coils tend to do.
I liked both pickups sets a great deal, but the Firebirds are a better match for my fingerstyle playing. What do you think?
