Thanks, Pete Thorn, for making my pedal sound so good.
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As threatened, here’s a closer look at Strat with PAF humbuckers used for my recent “God Only Knows” cover. Most parts are from the long-suffering guitar used for all the Mongrel Strat Project experiments. And this one is especially mongrel-ific, with its blend of vintage Fender and Gibson. Obviously, Gibson pickups is a Strat […] 
It probably wins my vote for prettiest pop-rock song of all time, and it’s a far-from-controversial opinion. “God Only Knows” and all the other great tracks from the Beach Boys’ incomparable Pet Sounds album are 50 years old. (The album was released on May 26th, 1966.) I owe a big thanks to my pal […] 
Carr Lincoln and Skylark amps. I’ve been using my Carr Skylark amp incessantly for the last 18 months or so. I’d originally reviewed it for Premier Guitar magazine, and then I bought one for myself. I dig the fact that, while Skylark is inspired by 1960s Fender amps, builder Steve Carr made numerous […] Lookit! My pals and colleagues at Premier Guitar just posted a video demo of my pedals shot at NAMM last month. It was a trip being on the business end of that gear-review microphone! Shooting this clip was surprisingly nerve-racking. You have to make the gear sound good … try not to play […] 
I’ve long been obsessed with Sam “The Man” Taylor’s epic sax solo on the Chords seminal 1954 rock ’n’ roll hit, “Sh-Boom.” But I never got around to learning, transcribing, and analyzing it till now. I heard it about 100 times while making and editing this video, and it still thrills me on every […] As if I weren’t already blowing enough money on arcane strings, I’ve got a new obsession: Thomastik-Infeld Plectrum series acoustic strings (which sell for $24 in the U.S.). If you hang out here much, you’ve heard me bitch incessantly about acoustic strings. I hate the way most modern strings are all hyped treble […] 
I’ve been breathlessly awaiting one of these since I saw this. It’s Korg’s Miku Stomp, a spinoff from the company’s Vocaloid voice synthesizer. It tracks your pitch as you play and responds with a synthetic voice that forms various syllables and phrases. There’s some cheating here: The effect’s latency is quite severe, so I […] I recently reviewed the gorgeous little Veillette Avante Gryphon for Premier Guitar and liked it so much that I bought one. This was my first opportunity to record it in my studio. The Avante Gryphon is a relatively low-cost version of Woodstock luthier Joe Veillette’s Gryphon, an 18.5″-scale 12-string designed to be tuned a minor […] 
I was kind of stoked about my latest wiring experiment: a “double Varitone” scheme I installed in my DIY “Kitschcaster.” I’ve written about these multi-capacitor tone switches a lot on this site, but this is the first time I’ve tried using a similar scheme to cut bass frequencies. The result is a lot like the […] |
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