It probably wins my vote for prettiest pop-rock song of all time, and it’s a far-from-controversial opinion. “God Only Knows” and all the other great tracks from the Beach Boys’ incomparable Pet Sounds album are 50 years old. (The album was released on May 26th, 1966.) I owe a big thanks to my pal […] My morning, like everyone’s, started with a devastating gut-punch: “David Bowie died.” I can’t say I knew Bowie, but I was lucky enough to spend a few hours with him back in the ’90s. And he was every bit as cool as his music. I’d done a Guitar Player interview with Reeves Gabrels after the […] Oh, no, the mistletoe! On a rainy December afternoon I prepared a little antidote to holiday music poisoning: a mashup of two of the most summery songs ever. It’s Bob Marley’s “Stir It Up” vs. “Crimson and Clover” by Tommy James and the Shondells.
I was polishing up my solo solo version of this lesser-known Mancini tune, and I was reminded once again of the late composer’s genius. Sure, we all know he was a great tunesmith and brilliant orchestrator. But the deeper you dig into his compositions, the more remarkable things you uncover. Even though Mancini […] 
I’ve long been obsessed with Sam “The Man” Taylor’s epic sax solo on the Chords seminal 1954 rock ’n’ roll hit, “Sh-Boom.” But I never got around to learning, transcribing, and analyzing it till now. I heard it about 100 times while making and editing this video, and it still thrills me on every […] 
For a while I’ve been playing this loop-based cover of Foster the People’s “Pumped-Up Kicks” at solo gigs and with my duo band, Mental 99. At risk of sounding like a pompous dick, I’ve annotated the performance, highlighting techniques I’ve found useful for making loop-based performances livelier and less predictable. I’ve covered some of […] 
I’ve been breathlessly awaiting one of these since I saw this. It’s Korg’s Miku Stomp, a spinoff from the company’s Vocaloid voice synthesizer. It tracks your pitch as you play and responds with a synthetic voice that forms various syllables and phrases. There’s some cheating here: The effect’s latency is quite severe, so I […] Premier Guitar just posted my latest Recording Guitarist column. The subject: Capturing the haunting reverbs of Southwestern ruins via impulse-response reverbs. Many years ago I marveled at the eerie reflections within the stone-walled ball court at Wupatki, an hour north of Flagstaff, Arizona. On this visit, I attempted to clone the tone. I did […] |
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